Carter G. Woodson, Black History Month, and “Lifting the Veil of Ignorance”

Did you see yesterday’s (February 1) Google doodle? The doodle appropriately featured “The Father of Black History,” Carter G. Woodson, and, when clicked, provided links to the many articles and websites focused on Woodson.

If you missed it, here it is [image links to Google search on Woodson].

Google Doodle by Artist Shannon Wright

Woodson was concerned about the role of African Americans in history. He wrote of the history and hoped to “lift the veil of ignorance.” His work, The Miseducation of the Negro (1933), which critiques the American educational system for its failures to include accurate and deep attention to Black history, is still relevant, valued reading at many colleges and universities. He founded the Association of Negro Life and History (now, the Association for the Study of African American Life and History) and launched Black History Week which later expanded into Black History Month.

Every February, we face the same questions about why there is a need for Black History Month (BHM); we endure the same declarations that BHM is “racist,” or that it valorizes one “race” over another. It’s frustrating to hear these statements year after year after year; they unveil a myopic view of the USA and its peoples that rejects any well-reasoned response.

As many times as we’ve explained that American history, as typically taught, erases the full participation of nonwhites from the narratives, some people simply can’t/don’t/won’t get it. They continue to rant and rave that if “African Americans contributed, then they’d be in our history books.”

I no longer waste my energy.

If our schools offered comprehensive study and examination of American history–that included the contributions of all Americans–perhaps, there would be a reason for the question.

But they don’t.

Even with BHM, the same names are repeated with little attention to the broader work, contributions, struggles, and progress of African Americans.

Boondocks Comic Strip, Aaron McGruder, February 8, 2000.

Another point many people miss is that BHM is not a “national holiday for Blacks only.”  It provides an opportunity for all Americans to educate themselves on the work of African Americans who have “made history” because of their contributions in STEM (science, technology, engineering, math), medicine, music, literature, law, philosophy, dance, psychology, social justice, athletics, and so much more.

[I found the cartoon above on an IG page. Unfortunately, I couldn’t find the original author. Forgive the misspelling of “y’all,” but please don’t miss the point].

Instead of writing for pages about why we still need Black History Month in the USA, I’ll leave you with a few links to articles that provide background information and that sufficiently make the point.

And for laughs–or a good cry–check out the brilliant and (necessarily?) irreverent satire of Aaron McGruder on Black History Month: Black History Month in “The Boondocks.”

Until next time…

Children’s Book Illustration Postcards: From NZ to the USA

Since today begins Black History Month in the United States and since I’d planned to blog about children’s book illustration postcards today, I was curious about whether I have any children’s books postcards featuring the work of African American illustrators. I went through every postcard in my collection and, as suspected, I do not have any illustrations by African American artists. Then, I “googled” and found nothing.

Considering the high number of popular African American children’s authors and illustrators, I find this odd.  [Insert appropriate emoji here].

I’ll keep looking…

For now, let’s enjoy the eight children’s book illustration postcards I received for Children’s Book Illustration Postcards swaps 17-20.

From Pikkis in Finland, I received an illustration from the Finnish fairy tale Goldfish, written by Raul Roine and illustrated by Rudulph Koivu.

Swap 17: From “Goldfish” by Raul Roine. Illustrated by Rudolf Koivu

I’m not familiar with this tale; that might be because, as Pikkis points out, the fairy tale hasn’t been translated in English.

The postcard below came all the way from New Zealand.

BLC Swap 17: The Honour of the House by E.M. Channon

CindyST sent an “old fashion” book cover because she loves retro covers and illustrated books.

Lihior, of Israel, sent another postcard from the fairy tale collection that gave me The Frog King postcard featured in the previous Children’s Book Illustrations blog post

Swap 18: Hansel and Gretel. Illustrated by Aurélie Blanz

I was pleased that I could see the name of the illustrator, Aurélie Blanz, on this card.  It was nice to “discover” and explore Blanz’s brilliant work. I found another artist to love.

BLC Swap 18: Illustrator Fiep Westendorp

The postcard above, from Sammoning in the Netherlands, features an illustration by Fiep Westendorp, known for Jip en Janneke, Pluk van de Pettenflat and others.  Every year, “kids go door-to-door to sell card sets and [matching] stamps” for Kinderpostzegels–to support educational and children’s charities.

It’s always nice when a bear shows up in my mailbox.

Swap 19: Little Polar Bear by Hans de Beer

Lars, the “little polar bear” came from Sissi, also in the Netherlands.

BLC Swap 19: The Tale of Peter Rabbit by Beatrix Potter

The postcard above, from HelenGB in Canada, features the cover of the first Frederick Warne edition of The Tale of Peter Rabbit, 1902.

Alice in Wonderland postcards are a special treat because I love all the different artistic interpretations of the story [I won’t mention that I have a whole box of Alice postcards that I have trouble sharing].

Inger sent this one from Sarpsborg, which is in the south-east part of Norway.

Swap 20: “The cat only grinned when it saw Alice. It looked goodnatured, she thought: still it had very long claws and a great many teeth.” Alice in Wonderland by Lewis Carroll. Illustrated by Sir John Tenneil

Her postcard also featured children’s book illustration postage:

And finally, Marinda in the United States sent an illustration from one of the sweetest tales I read to my little one when he was a baby, Guess How Much I Love You.

BLC Swap 20: Guess How Much I Love You by Sam McBratney, Illustrator Anita Jeram

As always, an eclectic selection, but a feast for the eyes and warm fuzzies for the heart!