“there is prayer in poem”

Sadly, we’ve reached the end of National Poetry Month. There are so many poets, so many beautiful words I wish I could share, but only 30 days in April.

Wait. That’s a good thing.

This month was crazy–all the end of the semester madness amplified by Zoom teaching, learning, meeting, and sheltering-in-place. Thankfully, I was able to find some time to think and write, and I wrote poetry almost every day.

I’ve enjoyed our daily excursions, and we end with the words of nayyirah waheed, whose book salt goes everywhere with me. The poem below is from nejma, her second collection of poetry.¬† It is appropriate for today.

(all i can do is rest.)
my body is the middle of a poem.

there is prayer in poem.

when i am writing
i am praying.

all the prayers that are too soft.
too young.
too old.
to say.

nayyirah waheed, from nejma

Thank you for taking this journey with me. Although we will move on to other matters, we will return to poetry often. For now, I hope you were inspired to pick up a book of poetry and savor the words or grab a pen to write your own. More importantly, I hope you are on the way to living your poem.


About the image: The postcard above features the artwork of Melissa Shutlz-Jones. It is entitled “Birmingham Summer.” The card was among those Irene Latham distributed to students when she visited our campus, and probably because of the sunflower, a student gave the postcard to me. ūüôā

[in Just-] spring

For today’s not #WordlessWednesday, I’m sharing a delightful spring poem by e.e. cummings.¬† Cummings has a way of drawing readers into his world through enchanting word combinations, positioning, and imagery.

in [Just]
e.e. cummings

in Just-
spring          when the world is mud-
luscious the little
lame balloonman
whistles          far          and wee
and eddieandbill come
running from marbles and
piracies and it’s
spring
when the world is puddle-wonderful
the queer
old balloonman whistles
far          and             wee
and bettyandisbel come dancing
from hop-scotch and jump-rope and
it’s
spring
and
         the
                  goat-footed
balloonMan          whistles
far
and
wee

About the image: What says spring better than tulips? I shot these last spring while tulip-shooting with a friend. The purple tulips from the linked post were shot in the same area–perhaps, a different day.

“I Am Looking at Music”

National Poetry Month is nearing an end and as I fretted [earlier today] over which poems I should share for the remaining three posts, I realized I haven’t shared a love poem. Gasp!

Love poems are tricky. There are many, many absolutely beautiful love poems, but I have a tendency to steer clear of  poems that overly romanticize love and ignore its complexity. If I am to enjoy the poem, the writer has to avoid cliche but still evoke some feeling and truth with which readers [or listeners] can identify.

I first heard the poem I’m sharing today as “Nina’s Song”–recited by Nia Long in the film Love Jones.¬†The poem is actually the work of Louisiana’s first African American Poet Laureate, Pinkie Gordon Lane (1923-2008). Her skillful use of imagery–light, sound, color–to capture the subtle nuances of love is astounding.

I Am Looking at Music
Pinkie Gordon Lane

It is the color of light,
the shape of sound
high in the evergreens.

It lies suspended in hills,
a blue line in a red
sky.

I am looking at sound.
I am hearing the brightness
Of high bluffs and almond
trees. I am
tasting the wilderness of lakes,
rivers, and streams
caught in an angle
of song.

I am remembering water
that glows in the dawn,
and motion tumbled
in earth, life hidden in mounds.

I am dancing a bright
beam of light.

I am remembering love.


About the image: The image above is one of my own pieces. I crafted the original last summer with “leftover” paint. All the colors seem to pair well with Lane’s poem, so I’m sharing it today.

“If There Be Sorrow…”

I’m sharing a poem today that I’ve loved most of my life. It is one of the first poems I scribbled into my inspiration notebook many moons ago. The poem, “If There Be Sorrow,” was written by Mari Evans (1923-2017), a writer-activist and major figure of the Black Arts Movement of the 1960’s and 1970’s.

I was and am drawn to the wisdom of the short verse, of living a life without regret.

If There Be Sorrow
Mari Evans

If there be sorrow
let it be
for things undone . . .
undreamed
unrealized
unattained
to these add one;
Love withheld . . .
. . . restrained


About the image: This is another photo card from the set¬† designed by my photographer/art journalist friend Diane W (midteacher on swap-bot). I shared a couple earlier this month with William Wordsworth’s “A Psalm of Life,” a poem with a message similar to Evans’.

Step by Step

I experienced a “letdown” a couple of days ago. It wasn’t exactly unexpected, but it crushed me. In trying to sort things out and figure out the reason for the deep ache, I arrived at grief. It becomes entangled with everything: the loss of my sisters mingles with other [unrelated] losses; the wound reopens, the healing process begins again, and I have to remind myself to breathe.

When we were little girls, my three younger sisters and I loved singing together. One of my sister Karlette’s favorite songs was “Step by Step,” a traditional gospel song. My sister Angie and I sang it to her in the hospital two days before her passing, and again at her funeral. I don’t think I’ve sung the song since, but today a poem my friend Chella shared put the song in my head. Both the song and the poem are what I need right now–when I feel immobilized by disappointment and loss.

We are all experiencing loss right now, trying to find our way and a new rhythm. Maybe, you need these words too.

Midwives of the Soul
Elena Mikhalkova

My grandmother once gave me a tip:
In difficult times, you move forward in small steps.
Do what you have to do, but little by little.
Don’t think about the future, or what may happen tomorrow.
Wash the dishes.
Remove the dust.
Write a letter.
Make a soup.
You see?
You are advancing step by step.
Take a step and stop.
Rest a little.
Praise yourself.
Take another step.
Then another.
You won’t notice, but your steps will grow more and more.
And the time will come when you can think about the future without crying.

About the image: The lovely purple and yellow flowers were created and sent to me by Love Noter Rae L. She sent the postcard for International Women’s Day 2020.

I Know My Worth.

Today’s offering is the brief Alfa Holden poem my Love Notes friend/literary twin, Bianca N, wrote on the back of the gorgeous floral postcard (above). She sent the card and sassy, woman-affirming message for International Women’s Day 2020–a perfect fit for my current state of mind.

I know my worth.
I’ve paid dearly
for every ounce of it.

Alfa

Alfa, as she is more popularly known, is considered a “social media” poet since it is through Twitter and Instagram that she gained a large following. Be sure to click the links to check out more of her work.

Until tomorrow…

Still Dews.

“Vetch and Milk Thistle.” Photographer, Art Wolfe.

As I head into the weekend and to Sabbath rest, I am whispering in my spirit the penultimate verse of John Greenleaf Whittier’s poem, “Soma.”

Many recognize the words from the hymn, “Dear Lord and Father of Mankind,” but do not know they come from the longer poem. What they also may not know is that Whittier–seeing it as showy or unnecessarily dramatic–was not a fan of singing in church; he believed that God should be worshipped in silent meditation.

Worshipping God through song is the gift I can always offer [alone and with other worshippers], so I do not agree with Whittier’s stance. However, there is incredible value in quiet contemplation and meditation, so on that point, he gets no argument from me.

May these last two verses from “Soma” usher you into a period of quiet rest, meditation, and contemplation.

from “Soma”
John Greenleaf Whittier

Drop thy still dews of quietness,
Till all our strivings cease;
Take from our souls the strain and stress,
And let our ordered lives confess
Thy beauty of Thy peace.

Breathe through the hearts of our desire
Thy coolness and Thy balm;
Let sense be numb, let flesh retire;
Speak through the earthquake, wind, and fire,
O still, small voice of calm!


About the image:¬†The card above came from Karen B, one of my partners for Love Notes 31. The “Vetch and Milk Thistle” scene–from Cappadocia, Turkey–was shot¬† by photographer-conservationist Art Wolfe. ¬†A portion of the proceeds of the Pomegranate card supports the Sierra Club’s efforts to preserve and protect our planet.