What is the purpose of creation?
That everything might simply be. —Meister Eckhart | Sweeney and Burrows, from “Lesson I” (Unlearning)
Since we’re on the subject of postcards from Eileen V, I might as well share the two Klimt postcards she sent last year. Eileen keeps me well supplied with sunflowers, so it was with pleasure that she sent and I received–not one but–two sunflower postcards featuring the work of Austrian artist Gustav Klimt (1862-1918). Klimt was a Symbolist painter and a founding member of the Vienna Secession (Art Nouveau) movement.
Despite his extensive portfolio. I am, unsurprisingly, drawn most to his sunflower pieces.
The piece above is entitled Bauerngarten mit Sonnenblumen (or Farm Garden with Sunflowers). My camera and I would love to explore such a garden exploding with color. [Note: I have seen four different dates assigned to this work, so I am not sure of the correct date–1905-1906, 1912, 1913, 1916–but 1905/06 seems more likely].
The second scene, Die Sonnenblume (or The Sunflower), could have been extracted from another part of the garden presented in the first piece–though that is clearly not the case.
The scan does very little for this postcard. The broad leaves of the sunflower are trimmed in gold and the postcard itself features gilded edges. Unfortunately, the scan rendered them a strange, dark color, which wasn’t visually appealing (so I cropped away the border). Notwithstanding the subpar scan, Her Majesty is pretty impressive.
For a glimpse of the unaltered original, click here: Die Sonnenblume, and for Farm Garden with Sunflowers, click here: Bauerngarten mit Sonnenblumen. [Be sure to click the links above to learn a little about the artist and the works].
Klimt gifted us sunflowers and gardens that serve no other purpose but to live gloriously in their natural state. Their brilliance beckons us and we simply stand in awe.