Sunflowers in the Cosmos!

When I viewed the A New Moon Rises: Views from the Lunar Reconnaissance Orbiter Camera exhibit at the Huntsville Museum of Art in June, I was literally “over the moon” to find sunflowers on the moon!

What? You didn’t know there were sunflowers on the moon? Well, there are!

I shared photos from the exhibit in July, but withheld photographs of one of the craters because, although I didn’t have a date in mind, I knew I wanted to share the crater during “Sunflower Week.”

A Very Young Crater

Obviously, this is not really a sunflower; it is actually a “very young crater.” This is one of the images captured with the Lunar Reconnaissance Orbiter Camera (LROC):

Spectacular ejecta surround this very young impact crater about 1,400 meters (4,600 feet) across. Since there are no superimposed impact craters on the ejecta, and the delicate lacy impact spray is still preserved near the rim, this crater formed very recently, perhaps sometime in the past few thousand years.  –from the Smithsonian National Air and Space Museum

Isn’t it amazing how very much the crater looks like a sunflower? If you can’t see it, here’s a sunflower edit I did a year and a half ago that might help:

Finding a sunflower on the moon reminded me of the sunspot postcard Love Noter Arielle W sent, which also resembled a sunflower. [It was featured in a blogpost a couple of years ago].

Detail of a Sunspot. Big Bear Solar Observatory, New Jersey Institute of Technology.

These lunar and solar “sunflowers” underscore the reason sunflowers are so meaningful to me. They’re not just bright yellow blooms that look like the sun; they are my constant reminder of the Creator and His Sovereignty. If He can give us sunflowers in outer space, and if He can sustain every single atom and keep order in the Universe, then certainly I can trust Him to be faithful over every single thing that concerns me.


We’ve reached the end of NaBloPoMo 2019 and Sunflower Week 2019. I’m ever grateful to you, my readers, for tolerating my daily posts (and ramblings). I have many more sunflowers, stacks of postcards and other beautiful things to share, but they will have to wait, of course. Life is going to be super-busy with end-of-semester madness and holiday planning, but I’ll be sure to check in a couple of times a week.

Until next time…Have joy!

Our Hearts Unhinged…

“Non-violence.” Photo by Louise Mamet, Caen WWII Memorial.

A few years ago, following the shooting at Umpqua Community College in Oregon, President Obama said “our thoughts and prayers are not enough.” His argument was that we must back up our prayers with action–legislation that makes it difficult for individuals to purchase the type of weapons that can enact a massacre in seconds.

“Thoughts and prayers,” was again the trite refrain following two mass shootings in the United States this weekend. But neither thoughts and prayers nor legislation are enough. Sadly, no gun legislation will prevent hate and misdirected anger; determined people will always find a way to accomplish their nefarious goals.

As a nation we must do soul work. “Faith without works is dead,” so God to Whom we direct our prayers expects us to do the work. We must wrestle with the ugly truths that are part of who we are, that make such actions possible.

We must unearth the thing in people’s hearts that breeds thoughts that result in wanton disregard for life. We must work to transform individuals and the soul of our nation from the inside out.

We’re weary, yes, but from the weariness we must find a different path.

This year, we’ve done laps around despair;
and we’ve grown tired of running in circles
so we stepped off the track and began to walk.
As the earth shifted beneath our feet,
we moved forward together. Our hearts
unhinged, guide us toward a [nation]
remade by love, into a future
that our past could never have imagined,
beginning today.

Excerpt from “Reimagining History,” by Marcus Amaker and Marjory Wentworth for the 2016 Charleston Mayoral Inauguration.


About the image: Today’s image was shot by my photographer friend Louise Mamet at the Caen WWII Memorial in Normandy. Thank you for the use of your image, Louise!

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Shining with the Moon

North Pole Topography–from the HMOA advertising postcard

The moon, like a flower
In heaven’s high bower,
With silent delight
Sits and smiles on the night.

William Blake, “Night,” Songs of Innocence

In honor of the 50th anniversary of man’s first step on the Moon–July 20, 1969–I am sharing more photos from a visit to the Huntsville Museum of Art, this time from the exhibit, A New Moon Rises: Views from the Lunar Reconnaissance Orbiter Camera. The traveling exhibition from the Smithsonian National Air and Space Museum “features amazing, large-scale high resolution photographs of the lunar surface.”

The images were captured by the Lunar Reconnaissance Orbiter Camera (LROC) over the last decade. I snapped only a few photos because the lighting and reflection from the shiny displays made photographing a bit challenging, but here’s what I captured.

Global Views

The “Global Views” display shows the South Pole, Far Side Mosaic, Near Side Mosaic, and the North Pole views of the Moon. You can find more details on these views by clicking here: Global Views.

My photograph of “High Noon on the Moon” was so filled with “people reflections” that it’s distracting, so I borrowed the image below from the Smithsonian website. [Click image to download or for more details]

“High Noon on the Moon,” from the Smithsonian website.

The sunlight at noon minimizes shadows but enhances subtle differences in surface brightness. The dark material is mare basalt, a volcanic rock that formed when lava erupted and flooded large impact basins early in the Moon’s history. The brightest features are ejecta, deposits and bright rays of material thrown from relatively recent impact craters. Notice how dissimilar the near (upper left) and far (lower left) sides appear.  –from the exhibit label

A section of the Lunar Topographic Map

The lunar topographic map above “shows the highs and lows over nearly the entire Moon at a pixel scale of 300 meters (980 feet). The colors represent elevation, from lowest (purple to black) to highest (red to white). the map is centered on the Moon’s near side.”  For the elevation scale and more images and details: Lunar Topography.

Although the moon looks “black and white to the naked eye,” if you look closely at this [partial] image, you can see hints of color.

The subtle variations in color seen here result from the differences in the chemical composition of the rocks and soil of the bright highlands and the dark lowlands.

The craters were probably my favorite of the displays. The two images below are from the Copernican Craters. The “ejecta patterns” make the craters look like works of art. Actually, they are masterpieces of nature in “outer space.”

These two impact craters have large, spectacular ejecta patterns of bright material thrown across the Moon’s surface. […] Each is incredibly well preserved: crisp crater rims, steep crater walls, and delicate small-scale ejecta patterns. The overhead sunlight highlights the brightness variations. –from the exhibit label

I’m holding photographs of another crater for a future post, so stay tuned.

We have marvelous views of the Moon and stars each time we step outside our home at night, but these gorgeous LROC photos give us things to look for and think about when we’re looking through the telescope.

I have a special “relationship” with the moon. My name, from the Sanskrit, means “moon” or “to shine like the moon.” Some say I live up to the name. I hope so.  😉

Let’s Take a Drive (or a swim?)

I’m back with more happy mail! This time, I’m sharing the photos Gale D (grstamping) shot for the “Take a Walk” photo series hosted in the A Thousand Words Group on swap-bot.

Gale’s July “walk” took her to the Canadian Automotive Museum in Oshawa, Ontario where she has been asked to photograph exhibits to make cards for the museum gift shop. While there, she takes her time noting the details of each object, as you will see from the photos in this post.

“Car Lamp” by Gale D.

I don’t know much about old cars, but I’m drawn to them, especially the vintage elements and features like the lamp (above) and the steering wheel (below).

“Steering Wheel” by Gale D.

Here’s a fun “don’t touch me” sign sitting on a car seat.

“Don’t Touch Me” by Gale D

And what would a photo walk through an automobile museum be without a whole car?

“Amphibious Car” by Gale D.

According to Gale, this amphibious car has never “seen water. The collector kept it dry and clean.” She did a little work in Lightroom on this one to give it an [even more] vintage feel.

Wouldn’t you like to learn more about this car and see it on water? Thanks to YouTube, you can!

I ❤ museums and museum shops, so it’s nice to take a brief “walk through the museum” and find the cards I would have purchased in my mailbox! Thanks, Gale! 🙂

Enjoy your ride!

Month of Letters: Postcard Shower!

Obviously, I’ve been neglecting my posting responsibilities re: Month of Letters. But this is a low-stress, just-for-fun blog, right? No pressure. I’m here now and that’s what matters. 🙂 So far, I have kept my commitment to send a letter, note, postcard, and/or greeting card every day during the month of February. I focused my efforts on letters, but I did send a few postcards. I also received lots of great postcards over the last two weeks, so I’ve just got to share.

First, I must correct a minor error in my last post, Tiny Photo Gallery and a Piano-Playing Panda. I thought I sent the panda to my partner, but I found it days later sitting in a stack of postcards next to my desk. This polar bear with his penguin audience is what I sent:

Junzo Terada

Happy Animal Time by Junzo Terada

This is actually the (inside) cover of the collection, but it features the image. Since I scanned the wrong postcard, I don’t have a copy of this one. 😦 The good news is my partner loves the postcard! Now, who will get the “Piano-Playing Panda”?

In honor of Black History Month, I sent out a couple of postcards that feature prominent African Americans:

Mary McLeod Bethune (1875-1955) by Betsy Graves Reyneau (1888-1964), Oil on Canvas, 1943-1944

Mary McLeod Bethune (1875-1955) by Betsy Graves Reyneau (1888-1964)
Oil on Canvas, 1943-1944

“Mary McLeod Bethune believed that the route out of poverty for African Americans was education. In 1904, with her funds totaling $1.50, she acted on that conviction to establish a normal-industrial girls’ school in Daytona Beach, Florida. Within a decade, the school was thriving and on its way to becoming Bethune-Cookman College.

In the 1930s, Bethune served as adviser to the New Deal’s National Youth Administration and was a member of the unofficial “black cabinet” that sought to move the government toward curbing racial discrimination. In these capacities, she contributed to implementing some of the first meaningful measures toward requiring equal opportunity for black job-seekers in federal employment and the nation’s defense industries.

Hanging in the background of Bethune’s portrait is a picture of Faith Hall, the first major building erected at Bethune-Cookman. At the time the likeness was done, Bethune had no physical need for the cane that she holds. Instead, she regarded it as stage prop that, as she put it, gave her ‘swank'” (from the National Portrait Gallery website, Smithsonian Institution).

I sent Bethune to a colleague in New Orleans who served in the public school system for many years before transitioning to university teaching. She has always admired Bethune, so I’m sure she appreciates this surprise treat.

Harry T. Burleigh by Laura Wheeler WaringOil on canvas, not dated

Harry T. Burleigh by Laura Wheeler Waring
Oil on canvas, not dated

“Although his name is relatively unknown, Harry Thacker Burleigh (named Henry after his father) played a significant role in the development of American art song, having composed over two hundred works in the genre. He was the first African-American composer acclaimed for his concert songs as well as for his adaptations of African-American spirituals. In addition, Burleigh was an accomplished baritone, a meticulous editor, and a charter member of the American Society of Composers, Authors, and Publishers (ASCAP).” (from the Library of Congress website. See H.T. Burleigh for more information).

Burleigh is on his way to a 14-year-old pianist who lives in Russia. I thought she would appreciate learning about another composer.

Here are the other postcards I sent over the last two weeks:

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Now, here’s my own little shower of received postcards (Click on each image for a closer look):

I received several more postcards (vintage churches, Alexander Pushkin Museum in Russia and more);  I’ll highlight those in later posts. For now, enjoy my little bit of postcard heaven!