I’m wrapping up the writers from the Sisters of the Harlem Renaissance postcard collection today with three women who led long and productive literary lives–Gwendolyn Bennett, Helene Johnson, and Dorothy West.
Gwendolyn Bennett (1902-1981)
Gwendolyn Bennett, best known for her striking poetry largely composed during the decade of the 1920s, was actively involved in African American culture and the arts community over twenty years. Following graduation form Brooklyn’s Girls High, Bennett planned to become a graphic and visual artist. She entered Teacher’s College, Columbia University, taking courses in Art Education; in 1924, she graduated from Pratt Institute. While studying art, Bennett also wrote poetry; she was soon successful in both media. In 1923 Opportunity published her poem “Heritage,” and The Crisis carried a cover which she illustrated. In August of 1926, Bennett began the “Ebony Flute,” a literary and social chit-chat column featured in Opportunity until 1928. Also in 1926, Bennett served on the editorial board of the short-lived Fire!! where “Wedding Day,” her first published short story, appeared. Despite frequent absences from New York, Bennett belonged to the close-knit Harlem Writers Guild. She was a friend and associate of such figures as Langston Hughes, Aaron and Alta Douglas, Countee Cullen, and Zora Neale Hurston. –Sandra Y. Govan
For more information on Gwendolyn Bennett’s life, writing, and art, see the following resources:
Helene Johnson (1906-1995)
Helene Johnson, like her cousin Dorothy West, was one of the youngest of the Harlem Renaissance poets. Born in Boston, she first visited New York in 1926 to accept Opportunity‘s First Honorable Mention prize for her poem “Fulfillment.” After moving to New York in 1927, she met prominent Harlem Renaissance literary figures, including Zora Neale Hurston, who became her close friend, and Wallace Thurman. Thurman published one of her poems, “A Southern Road,” in the only issue of his journal Fire!! About one-third of Johnson’s poems treat themes of youthful sensuality and the joy of life; racial themes dominate many others. From 1925 through the mid-1930s, Johnson’s poems appeared regularly in periodicals such as Opportunity, The Messenger, Palms, Vanity Fair, Harlem, Challenge, ,and Saturday Evening Quill. Anthologists of the Harlem Renaissance have continued to include her works in their collections of Black American literature. –T. J. Bryan
Interestingly, it was difficult finding more about Helene Johnson online. The New York Times featured a rather detailed obituary with comments about her writing, excerpts from her poems, and the beautiful testimony of her daughter that even after the height of her literary career, she wrote a poem every day.
Dorothy West (1907-1998)
Dorothy West, one of the youngest writers drawn to Harlem during the Harlem Renaissance, first came to New York in 1926 because she won “some little prize in Opportunity” for her short story, “The Typewriter.” Additional short stories (which she considers the perfect literary form) appeared in Opportunity, The Messenger, Boston Post, and Saturday Evening Quill during the 1920s. In 1934 she founded and edited Challenge, a literary journal, “to permit new Negroes to make themselves heard,” and in 1937 she edited a reincarnation of that quarterly, New Challenge. Her important novel, The Living Is Easy, was published in 1948 and reissued in 1982. For a number of years she wrote a weekly column for the Vineyard Gazette. –Phyllis Rauch Klotman
For more on Dorothy West, see the following resources:
Initially, I was surprised to find that the brief biography on the back of the card did not mention West’s most popular novel, The Wedding, which was made into a television movie. Then, I realized the publication of the Sisters of the Harlem Renaissance collection preceded the novel. That Dorothy West continued to write her entire life and that her novel was published in 1995, when she was 88 years old, is clear evidence that age should not be a hindrance in the pursuit of our goals.