Children’s Book Illustration Postcards | Gumnut and Wattle Babies

I hope you’re prepared for some super cuteness this evening. The postcards below were sent for Children’s Book Illustration swaps 49 and 50 on swap-bot. I had never heard of “Gumnut” or “Wattle” Babies, and then suddenly I was introduced to them when not one or two, but three postcards featuring May Gibbs’ Australian Bush Babies made it to my mailbox within days of each other.

CBI 50: Original watercolor for The Gum Blossom Ballet from Snuggle Pot and Cuddlepie, 1918. Illustration by May Gibbs (1877-1969)

This first card came from Yvonne and Jeana, who sent the Bunyip and Magic Pudding Maxicards I shared earlier this year. The card features the “Gum Blossom Ballet,” from the book Snugglepot and Cuddlepie by May Gibbs.

Snugglepot and Cuddlepie are:

two adventurous little gumnut foster brothers who long to see a Human. Snugglepot, the leader, and the gentle Cuddlepie are good friends with Mr Lizard and Little Ragged Blossom and together go on many heroic adventures.

And what are gumnuts?

[Gumnuts are] the first of the bush babies, the inquisitive Nuts are full of fun and mischief. They love all the Bush Folk, but are a little afraid of lizards and snakes. Mrs Kookaburra is most fond of them as they make her laugh. In the hot sun they hang their heavy heads over the swaying leaves and sleep.  –from May Gibbs website

I “met” Jess, another Australian swapper, earlier this year. Like Yvonne and Jeana, she also adds unique postcards to my CBI collection. She sent two Wattle Babies postcards.

BLC CBI 49: Original watercolor for frontispiece of Wattle Babies, 1918. Illustration by May Gibbs

The cheerful Wattle Babies are the most good-natured of all the Bush Babies. Their bright yellow clothes brighten the bush on a Winter’s day. In Spring they love to go boating and swimming with their frog friends and have fun playing hide and seek with the baby birds. —-from May Gibbs website

BLC CBI 50: “Wattle Babies.” Illustration by May Gibbs

These are some pretty impressive watercolors!

Gibbs (1877-1969) was an English-Australian children’s author, illustrator, and cartoonist. She was best known for her “bush babies” or flower fairies. Her works have entertained the children of Australia for more than a century.

Gibbs willed her works to the Northcott Society and Cerebral Palsy Alliance. As a result she has helped thousands of children and their families. You can learn more about May Gibbs, her work, and charities here: May Gibbs.

See you tomorrow…

Children’s Book Illustration Postcard | La vie des mini-héros

CBI 57: La vie des mini-héros. Illustration by Oliver Tallec.

From time to time the mini hero must stop being a mini hero.

Isn’t this an adorable postcard?

The postcard, featuring a mini hero, came from Valériane  (LuneDePapier on swap-bot) of Brittany, France. She rightly assumed I would love the postcard because of the humor.

La vie des mini-héros [Life as a Mini Hero] was authored by French illustrator Olivier Tallec. The books are designed for preschoolers:

Clad in bright suits that bespeak their daring deeds, these mini heroes live their daily lives assailed by all sorts of difficulty and disaster. Whether jumping rope on the playground, eating towers of ice-cream, or hanging upside-down from the ceiling, they are never short of plans and prospects! Sometimes, it’s true, they have to pause, which may be the greatest challenge of all.  –Google Books.

Tallec has illustrated more than 50 books, including the gorgeously illustrated This is a Poem That Heals a Fish. [The link leads to a Brain Pickings article filled with images from the book].

You can find out more about Tallec’s work through this brief interview: Interview with Olivier Tallec.

Until tomorrow…

Children’s Book Illustration Postcards | Dikkie Dik!

I haven’t done a post featuring children’s book illustration (CBI) postcards in a long time, so I decided to dedicate three posts this week to CBI postcards. I have more than 60 to share; I won’t get caught up this week, but I’ll do what I can.

Today’s offering…Dikkie Dik! Both cards below were sent for Children’s Book Illustration Postcard swaps on swap-bot. The cards came from Dutch swappers, Marianne and Marleen.

CBI Swap 30: Dikkie Dik. Illustration by Jet Boeke, 2017

Dikkie Dik is a series of Dutch children’s books featuring a naughty orange cat named Dikkie Dik. The cat originally appeared on the Dutch version of Sesame Street (SS). According to Marianne, who remembers fondly the stories from SS, the books are “cute with big illustrations and very little text.”

BLC CBI Swap 57. Dikkie Dik. Illustration by Jet Boeke.

The Dikkie Dik books are illustrated by Jet Boeke and written by Arthur van Norden. Though the series began in 1978 as stories told to children on Sesame Street, the books soon made their way to bookstores. There are now hundreds of Dikkie Dik stories to enjoy.

Dikkie Dik Postage Placeholder. Illustration by Jet Boeke

Dikkie Dik doesn’t look so naughty to me, but looks can be deceiving. I guess, I’ll have to read some of the stories to know for sure.

Women | Words and Art III

We’ve reached the final post of our women’s words and art series. Today’s postcards are just as empowering and inspiring as the previous posts.

Artist: Cyla Costa

Talking back to the ideology that a woman’s place is in the kitchen or bedroom, this art speaks volumes:

A woman’s place is in the resistance.

I “designed” my own postcard featuring Hillary Clinton’s “famous” phrase a few years ago:

Women’s rights are human rights.  –Hilary Clinton, from her speech at the United Nations Fourth Conference on Women, Beijing China

And from [my forever] First Lady of the United States, the timeless instruction our mothers instilled in us when we were children–to never, ever stoop to “their” level:

When they go low, we go high.  –Michelle Obama, Democratic National Convention, 2016

Artist: Cyla Costa

Reinterpreting Reinhold Niebuhr’s “Serenity Prayer,” Angela Davis‘ oft-repeated declaration is another call to become agents of change.

I am no longer accepting the things I cannot change. I am changing the things I cannot accept. –Angela Davis

Even though I want more, more, more revolutionary art, Davis’s quote provides an apt ending. After all, women’s issues can’t be resolved with pretty words and lettering. We’ve got to get up and do something too!

Some of us are traditional activists. We don’t mind taking to the streets and marching or sitting in. Some use writing–letters, poems, opinion pieces, books. Some use art. Some use social media and phone calls. Some choose to approach change through the way we rear our sons and daughters. It all works–as long as the goal is to cultivate a world that does not stifle or limit women’s and girls’ rights, full participation or agency.

If you missed Part 1 or Part 2, be sure to check them out. Then…

Let’s get to work!

Women | Words and Art II

As promised, I’m back today with more art from “The Future Is Female” package. Are you ready to be empowered?

Nevertheless, she persisted.

In his explanation of Elizabeth Warren’s “silencing” during her “lengthy speech” criticizing [then] Attorney General nominee Jeff Sessions, Senator Mitch McConnell declared, “She was warned. She was given an explanation.  Nevertheless, she persisted.” Like “nasty woman,” the final sentence became a rallying call and was appropriated by women in a move to dismantle male-centric politics and policies.

Artist: Cyla Costa

Here’s to strong women. May we know them. May we raise them. May we be them.

Artist: Daiana Ruiz

Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.  –Anais Nin, Dairy, February 1954

Artist: Bodil Jane

When no one speaks and the whole world is silent, then even one voice becomes powerful.  –Malala Yousafzai, on acceptance of Peter J. Gomes Humanitarian Award at Harvard University, 2013

If you missed the first post, be sure to take a look at the four art/quote pieces there. The final four will be in my next post. You’ll need it to complete your full dosage of woman-power. 😉

Women | Words and Art I

Did you see the Google Doodle on International Women’s Day? The doodle featured a collection of inspiring quotes by women beautifully illustrated by [other] women. It’s a pretty impressive collection, and I want the prints!

Fortunately, my bestie–from now on referred to as “the prophet”–anticipated this and sent me a beautiful collection of 12 woman-centered postcards. I finally took time to scan them, so I decided to share them on the blog in three installments.

I am not free while any woman is unfree, even when her shackles are very different from my own. And I am not free as long as one person of Color remains chained. Nor is anyone of you. –Audre Lorde, “The Uses of Anger,” National Women’s Studies Association Conference, 1981

Artist: Daiana Ruiz

Many of us recall when #45 described his opponent, Hillary Clinton, as a nasty woman. He intended it as an insult, but his remark–steeped in misogyny–invited a world of women to “stay nasty.”

The future depends entirely on what each of us does every day; a movement is only people moving. –Gloria Steinem

I believe that telling our stories, first to ourselves and then to one another and the world, is a revolutionary act. It is an act that can be met with hostility, exclusion, and violence. It can also lead to love, understanding, transcendence, and community. I hope that my being real with you will help empower you to step into who you are and encourage you to share yourself with those around you.  –Janet Mock, Redefining Realness: My Path to Womanhood, Identity, Love & So Much More

The postcards are part of The Future Is Female, a 2019 calendar package published by Workman Publishing. The calendar is a rallying call to women–inspiring “a year of activism, unity, and sisterhood.” A portion of the proceeds from the calendar sales will be donated to Girls Write Now, a nonprofit organization “that mentors underserved young women and helps them find their voices through the power of writing and community.”

I hope you’re inspired by the words and art.

Stay tuned. I plan to write posts featuring the remaining eight postcards some time this week.

March on…

Liberate Your Art 2017: “Experiment, Play, Create & Liberate”

The LYA blog hop has begun!

As mentioned in a post a few weeks ago, I participated in Kat Sloma’s Liberate Your Art swap again.  The swap has been running for seven years. I’d “just missed” the first year when I found out about the swap, but I’ve participated every year since.

This year’s stats:

876 pieces of art liberated
146 artists participating
12 countries
30 US states and territories

The words that make up Kat’s theme, “Experiment, Play, Create, and Liberate,” serve as “clues to an expressive, playful, and free approach to making art.” She encourages participants to “keep those four words with us over the next year as we create and share our art.”

I’m happy to report that I received all six unique pieces of art sent my way. [As usual, April is insanely busy, and I haven’t had a moment to stage and photograph the postcards in my environment, so please forgive me].

“Angles and Lines” by Christopher A. 

My first card came from Christopher of Michigan, a piece of art he created in December 2016. Christopher’s circumstances “made” an artist of him and compelled him to take a minimalist approach to art.  He works with what’s available to him–a pencil and a piece of paper folded to make a straight edge.

He shares a quote that appropriately captures his circumstances and his art:

I’ve wanted to somehow convey to you the sensations–the atmospheric pressure, you might say–of what it is to be seriously a long-term prisoner in an American prison.  –Jack Henry Abbott

A few days later, a little bit of Hong Kong graced my mailbox.  Kris sends “love from Texas,” but as she points out, the scene is clearly not Texas:

“Not Texas” by Kris Mc.

I love everything about this photo–the composition, the tone.  There’s so much story in this image!  You can find more of Kris’s stunning work on her blog, on Instagram, and on Flickr.

Greetings from Gabriola Island (Canada) came next.

“The Road to Cold Mountain,” by Paul T.

Paul had fun creating this piece, entitled “The Road to Cold Mountain.” I find it intriguing.  I’d love to know more about it!

Siobhan sent a calming photo postcard with a clock tower reflected on a rippling river.

“1902 Clock Tower” by Siobhan Wolf

The photo was shot at Riverfront Park in Spokane, Washington.  You can find more of Siobhan’s work at Wolf Tales, her blog.  I love her signature line on the card… #bethelove.

Ella sent a whimiscal watercolor.

“Puff” by Ella L.

Ella completed this watercolor a few years ago.  She sends her card with wishes for the “joy of playfulness.” Ella is a freelance illustrator who works with children’s books and poetry among other things. You can find more of her work on her website: Ellapointe Studio.

If you’ve been following along for the last several years, you know Kat’s postcard always ends the swap.

When I retrieved Kat’s card, I had mixed feelings–excitement because the “long anticipated” Kat card arrived, but disappointment because the card meant the end of the swap and I have to wait a year before it comes around again.

Digital Painting by Kat Sloma

Kat surprised me this year.  Instead of sending one of her photos, she sent a colorful digital art piece.  I realize, though, I shouldn’t have been surprised.  She’d been posting digital paintings via IG: kateyeview.  Trees are one of Kat’s favorite things to photograph, so I like how this image pays tribute to one of her favorite subjects.

Thank you Christopher, Kris, Paul, Siobhan, Ella, Kat and all the other wonderful artists who courageously share your art.  Your creativity inspires me!

I am so grateful for you, Kat.  Thank you for consistently, patiently, and meticulously coordinating LYA.  Your work pushes all of us to strive for the best in our work as artists.

Fortunately, side swaps help us liberate even more art.  If you’re interested in swapping away those extras, let me know. I’ll post the postcards I sent on “Microblog Monday.”

If you want to see more “liberated art,” check out the video featuring art from some of the participants. For a more comprehensive view of the exchange, click the tiny blue frog below.

 

Until next time…create more art!

Series Two: Children’s Book Illustration Postcards 1-5

Back in June I posted a five-part series on the children’s book illustration postcards I’d received through 122 consecutive weeks of swaps hosted by Marjan.  She ended the series in December 2015.   I really missed the swaps, so as I reviewed my blank CBI postcards “crying out” for new homes, I knew it was time to start the swaps again.  Marjan gave her blessing and the swaps began (again) in July.  I host the swap every two weeks–in the “Book Lovers Congregate” group (BLC) on swap-bot and as a public swap (which means any swap-bot member can join as long as she/he meets swap criteria).  I hope to eliminate the public swap eventually and only host in the group, but so far, the public swap participant roster is three times longer than the group’s.  For now, it’s been fun hosting in two places.  Besides, I have more than 300 blank children’s book illustration postcards to share with the world; I plan to host the swap until I run out of postcards…or steam.

We just completed the 10th swap.  Here are postcards from the first five swaps–with illustrations of books from Germany, Finland, the Netherlands, the United Kingdom (UK), and the United States of America (USA).

BLC Swap #1: From Ksenia (Israel)--

BLC PC #1: From Ksenia (Israel)–“What’s the Story?” Ksenia found this postcard at an illustration exhibition. There was no story attached, but it feels like a children’s book illustration, so it counts. 😉

Public PC #1: From Marloucat (Netherlands)--De Gruffalo, Julia Donaldson and Avel Scheffler.

Public PC #1: From Marloucat (Netherlands)–De Gruffalo, Julia Donaldson and Avel Scheffler.

BLC PC #2: From Owlsinathens (Vienna)--Findus flyttar ut (Findus Moves Out), by Sven Nordqvist.

BLC PC #2: From Owlsinathens (Vienna)–Findus flyttar ut (Findus Moves Out), by Sven Nordqvist.

Public #2: From Pikkis (Finland)--From Nu skall har bli andra bullar by Gunilla Hansson.

Public PC #2: From Pikkis (Finland)–From Nu skall har bli andra bullar by Gunilla Hansson.

BLC PC #3 From PeggyO (USA)--From The Children's Own Readers. Book One, 1929. Illustration by Marguerite Davis.

BLC PC #3 From PeggyO (USA)–From The Children’s Own Readers. Book One, 1929. Illustration by Marguerite Davis.

Public #3: From Jeepermom (USA)--From the Tale of Benjamin Bunny, 1904. Peter drops the onions he has gathered.

Public PC #3: From Jeepermom (USA)–From The Tale of Benjamin Bunny, 1904. Peter drops the onions he has gathered. “Presently Peter let the picket-handkerchief go again.” Illustration by Beatrix Potter. The World of Peter Rabbit.

BLC PC #4: From DebR (United Kingdom)--Cinderella, 1964. Series 606-D-Well Loved Tales. By Vera Southgate, Illustrated by Eric Winter

BLC PC #4: From DebR (United Kingdom)–Cinderella, 1964. Series 606-D-“Well Loved Tales.” By Vera Southgate. Illustration by Eric Winter

Public #4b: From Karen07 (USA)--Something to Do, 1968. Cover Illustration by Shirley Hughes. Puffin.

Public PC #4: From Karen07 (USA)–Something to Do, 1968. Cover illustration by Shirley Hughes. Puffin.

Public #4: From Karen07 (USA)--The BFG by Roald Dahl, 2007. Cover Illustration by Quentin Blake. Puffin.

Public PC #4b: From Karen07 (USA)–The BFG by Roald Dahl, 2007. Cover illustration by Quentin Blake. Puffin.

BLC PC #5: From Jeepermom (USA)--From the Tale of Peter Rabbit, 1902. Mrs. Rabbit in the woods.

BLC PC #5: From Jeepermom (USA)–From The Tale of Peter Rabbit, 1902. Mrs. Rabbit in the woods. “Old Mrs. Rabbit took a basket and her umbrella, and when through the wood to the baker’s.” Illustration by Beatrix Potter. The World of Peter Rabbit.

Public #5: From Karen07 (USA)--Street Fair by Marjorie Fischer, 1949. Cover Illustration by S. Dyson. Puffin.

Public PC #5: From Karen07 (USA)–Street Fair by Marjorie Fischer, 1949. Cover illustration by S. Dyson. Puffin.

Public #5b: From Karen07 (USA)--Avalanche, 1959. Cover illustration by Alice Evers.

Public PC #5b: From Karen07 (USA)–Avalanche, 1959. Cover illustration by Alice Evers.

That’s it for now.  Tune in tomorrow for swaps six to ten.

Ciao!