When I taught African American literature, blues artists Bessie Smith’s and Billie Holiday’s songs were key in deepening students’ understanding of the continuities of Black experience and literature and arts in America. I haven’t taught the literature since we moved to Northern Alabama, so their music is collecting dust. In fact, I think the collections are still in boxes.
A couple of days ago, I ran across a Billie Holiday postcard that I’ve had for quite some time–a familiar photo of Lady Day, with the signature gardenia in her hair.
Billie Holiday, c. 1936, Photograph by Robin Carson, from the Collection of Ole Brask
The sender’s note referenced listening to Billie Holiday and Bessie Smith days before sending the postcard. Interestingly, the day after rediscovering the postcard–yesterday, in fact–I received a Bessie Smith postcard from my postcard pal Connie F. Talk about coincidence!
Bessie Smith (1895-1937), Photograph courtesy of Michael Ochs Archives, Pomegranate Communications, Inc.
The music goddesses are telling me to take a moment for Bessie and Billie. They are the best medicine for the madness of the days ahead.
Perhaps, you need a moment too.
Here’s a listening guide of the Empress of the Blues, Bessie Smith, singing “Backwater Blues” with James P. Johnson on the piano:
And for your pure listening pleasure, a 30-song compilation of Lady Day’s “top songs.”
Both women’s lives were cut short, but their influence reaches far beyond their years on this earth, and they continue to make a powerful impact on music in America.