I would love to live
Like a river flows,
Carried by the surprise
Of its own unfolding.
John O’Donohue, “Fluent,” Conamara Blues
Tag: Literature
#ThursdayTreeLove | Robin Hood’s Tree
So passed the seasons then, so they pass now, and so they will pass in time to come, while we come and go like leaves of the tree that fall and are soon forgotten. –Howard Pyle, The Merry Adventures of Robin Hood
Thanks to sheer exhaustion, I missed #ThursdayTreeLove last week, but I’m making up for it today by taking you on a brief trip to Sherwood Forest to get a glimpse of the magnificent Major Oak.
I went to Sherwood Forest many, many moons ago and fell in love with the famed tree which the legendary outlaw Robin Hood and his band of Merry Men used as a hideout. I probably don’t need to tell you that this English professor loves visiting the actual places made famous [in my mind] by literature, so this was definitely a treat!
The [800 to] 1000-year-old tree is the largest tree in England. It is supported by stilts and has been so since the Victorian Age.
The original images [below] were shot with a film camera–a Canon Photura–in the days before digital cameras, but I had the roll digitized. It seems the digitized images lost their integrity over the years, so I edited them [above] for the post. [Click below to see larger images of the originals]
You can see better images and find out more information about the Major Oak of Sherwood Forest by clicking this link.
I am [usually] joining Parul Thakur for #ThursdayTreeLove every second and fourth Thursday of the month. [This is the third Thursday. Forgive me]. If you would like to play along, post a picture of a tree on your blog and link it back to her latest #treelove post.
“I Am Looking at Music”
National Poetry Month is nearing an end and as I fretted [earlier today] over which poems I should share for the remaining three posts, I realized I haven’t shared a love poem. Gasp!
Love poems are tricky. There are many, many absolutely beautiful love poems, but I have a tendency to steer clear of poems that overly romanticize love and ignore its complexity. If I am to enjoy the poem, the writer has to avoid cliche but still evoke some feeling and truth with which readers [or listeners] can identify.
I first heard the poem I’m sharing today as “Nina’s Song”–recited by Nia Long in the film Love Jones. The poem is actually the work of Louisiana’s first African American Poet Laureate, Pinkie Gordon Lane (1923-2008). Her skillful use of imagery–light, sound, color–to capture the subtle nuances of love is astounding.
I Am Looking at Music
Pinkie Gordon Lane
It is the color of light,
the shape of sound
high in the evergreens.
It lies suspended in hills,
a blue line in a red
sky.
I am looking at sound.
I am hearing the brightness
Of high bluffs and almond
trees. I am
tasting the wilderness of lakes,
rivers, and streams
caught in an angle
of song.
I am remembering water
that glows in the dawn,
and motion tumbled
in earth, life hidden in mounds.
I am dancing a bright
beam of light.
I am remembering love.
About the image: The image above is one of my own pieces. I crafted the original last summer with “leftover” paint. All the colors seem to pair well with Lane’s poem, so I’m sharing it today.
“If There Be Sorrow…”
I’m sharing a poem today that I’ve loved most of my life. It is one of the first poems I scribbled into my inspiration notebook many moons ago. The poem, “If There Be Sorrow,” was written by Mari Evans (1923-2017), a writer-activist and major figure of the Black Arts Movement of the 1960’s and 1970’s.
I was and am drawn to the wisdom of the short verse, of living a life without regret.
If There Be Sorrow
Mari Evans
If there be sorrow
let it be
for things undone . . .
undreamed
unrealized
unattained
to these add one;
Love withheld . . .
. . . restrained
About the image: This is another photo card from the set designed by my photographer/art journalist friend Diane W (midteacher on swap-bot). I shared a couple earlier this month with William Wordsworth’s “A Psalm of Life,” a poem with a message similar to Evans’.
Remember…
Today, I’m sharing a poem by the current United States Poet Laureate, Joy Harjo. I first encountered her work via a Native American Literature course in graduate school, and I’ve been enjoying her work since then.
The final prompt for Love Notes 31 [which ended last week] was “Don’t Forget to Remember,” and thinking of no way to respond to the prompt that was neither trite nor lengthy, I found myself drawn to Harjo’s poem, “Remember.”
May it provide a bit soul food for your Tuesday.
Remember
Joy Harjo
Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.
About the image: The postcard above was sent to me by HannahsMommy07 on swap-bot for a “Postcards with a Prompt” swap. I have no information about the artist, but this postcard has been waiting to be shared for almost two years. Eek!
Wiser Birds
Garden Dweller: Blue Tit by Hannah Dale
When I was a teen, I maintained an inspiration notebook in which I wrote poems and quotes that I considered beautiful. I still have the notebook [and I still copy beautiful words into notebooks]. As I flipped through the notebook while chatting with my baby sister earlier today, my eyes fell on the short poem below. I was young then, drawn to the words, not always the writer of those words, so I have no idea who W. Johnson is, and I have no information about the poem. I tried the search gods, but they failed me. Still, here’s the poem–short, sweet, cogent.
From Wiser Birds
W. Johnson
Rare the songs from
wiser birds,
yet the sweeter still.
About the image: The adorable blue tit above came from Love Noter Angela H. She sent it late last summer and I’ve been looking forward to an opportunity to share it. The birdie was designed by Hannah Dale of Wrendale Designs. The designs are inspired by the British Countryside. Purchases benefit the National Trust of the United Kingdom.
The Blessing of the Interim
“Sunset Glow over Leifeng Pagoda.” Photo by Hu Xiaoyang
I’m sharing a poem today that Tee, one of my besties, sent to me two weeks ago. “In the Interim Time,” written by Irish priest-poet-philosopher John O’Donohue (1956-2008), carries a timely message.
Corona times are challenging in one way or another, and many of us want to get past these moments so we can get on with our “normal lives.” But what if we can’t or, more importantly, shouldn’t return to our normals?
We fight and fret trying to hang on to what is old when something new is being born. Donohue’s poem shows us there’s something we need in the “interim,” something hopeful, and something that prepares us for the new.
In the Interim Time
John O’Donohue
John O’Donohue
When near the end of day, life has drained
Out of light, and it is too soon
For the mind of night to have darkened things,
No place looks like itself, loss of outline
Makes everything look strangely in-between,
Unsure of what has been, or what might come.
Makes everything look strangely in-between,
Unsure of what has been, or what might come.
In this wan light, even trees seem groundless.
In a while it will be night, but nothing
Here seems to believe the relief of darkness.
In a while it will be night, but nothing
Here seems to believe the relief of darkness.
You are in this time of the interim
Where everything seems withheld.
Where everything seems withheld.
The path you took to get here has washed out;
The way forward is still concealed from you.
“The old is not old enough to have died away;
The new is still too young to be born.”
You cannot lay claim to anything;
In this place of dusk,
Your eyes are blurred;
And there is no mirror.
Everyone else has lost sight of your heart
And you can see nowhere to put your trust;
You know you have to make your own way through.
As far as you can, hold your confidence.
Do not allow confusion to squander
This call which is loosening
Your roots in false ground,
That you might come free
From all you have outgrown.
What is being transfigured here in your mind,
And it is difficult and slow to become new.
The more faithfully you can endure here,
The more refined your heart will become
For your arrival in the new dawn.
from To Bless the Space Between Us (2008)
About the image: The postcard above was sent to me in 2011 from Jiayi, a postcrosser in China. The card shows a view of the West Lake in Hangzhou.
“Some Keep the Sabbath Going to Church”
Please note: WordPress coding is misbehaving, so forgive me if the line breaks are rather random and ill-placed in this post. I’ve followed all the rules, but I get a different result each time. 
Chapel of Peace, Whippoorwill Academy and Village, Ferguson, North Carolina. 2012
Emily Dickinson’s Poem 236, “Some keep the Sabbath going to Church,” is appropriate for our Corona times. We tune into virtual services, but they’re not the same. After all, we attend services for reasons beyond a sermon and a song.
If you’re missing fellowship with other believers, try spending time with God in nature. “All the earth worships [Him] and sings praises to [Him]” (Psalm 66:4), so you will not be in fellowship alone. Maybe, you’ll find that you’ve needed this type of worship also.
Emily Dickinson
Some keep the Sabbath going to Church (Poem 236)
Some keep the Sabbath going to Church –
I keep it, staying at Home –
With a Bobolink for a Chorister –
And an Orchard, for a Dome –
Some keep the Sabbath in Surplice –
I, just wear my Wings –
And instead of tolling the Bell, for Church,
Our little Sexton – sings.
God preaches, a noted Clergyman –
And the sermon is never long,
So instead of getting to Heaven, at last –
I’m going, all along.
About the image: The “Chapel of Peace” is an older image. It was featured on the blog about seven years ago.
What If We Called a Rose a Pear?
Today’s poetic offering is not technically a poem, but the lines [below] from William Shakespeare’s Romeo and Juliet are written in verse form–specifically in blank verse (unrhymed iambic pentameter). You remember that from high school English, right? The words, spoken by Juliet to Romeo, contain arguably the most famous “rose lines” ever written–though Gertrude Stein’s “a rose is a rose is a rose” offers stiff competition.
O Romeo, Romeo! wherefore art thou Romeo?
Deny thy father, and refuse thy name;
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.
[…]
‘Tis but thy name that is my enemy;
Thou art thyself though, not a Montague.
What’s Montague? it is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man. O! be some other name:
What’s in a name? that which we call a rose
By any other name would smell as sweet;
So Romeo would, were he not Romeo call’d,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name;
And for that name, which is no part of thee,
Take all myself.
About the image: The roses above are from my mother’s garden. No matter what time of year we visit, the roses greet us. This photo was shot in mid-February on my iPhone, a couple of weeks before the CV madness. I’m grateful we made the trip when we did.
Soar, Sister!
Believe it or not–I actually made a general plan of poems/poets to share on the blog this month. However, I can count on less than one hand the number of times I stuck to the plan. Today, my plan for sharing a longish poem by Nikky Finney transformed to sharing the shortish poem below by George Douglas Johnson (1880?-1966).
Johnson was one of the writers featured in my [so-far-unfinished] Women of the Harlem Renaissance series a couple of years ago. The poem seems fitting for my present circumstance and mood–cooped up in a small space in my home office–cornered by books, research, notes, and creative projects–working feverishly toward freedom from all the demands, ready to fly.
Your World
Georgia Douglas Johnson
Georgia Douglas Johnson
Your world is as big as you make it.
I know, for I used to abide
In the narrowest nest in a corner,
My wings pressing close to my side.
But I sighted the distant horizon
Where the skyline encircled the sea
And I throbbed with a burning desire
To travel this immensity.
I battered the cordons around me
And cradled my wings on the breeze,
Then soared to the uttermost reaches
With rapture, with power, with ease!
About the image: The postcard featured in this post was sent to me a decade ago by a swapper named Noni, an artist who seemingly no longer participates on swap-bot. I don’t know much about the art, but I assume Noni made the postcard. She wrote on the back of the card our beloved Maya Angelou’s poem, “I Know Why the Caged Bird Sings,”–a poem that doesn’t feel as hopeful as Johnson’s but is nevertheless moving.
