Postcards That Make a Statement | Good at Heart

Anne Frank

Anne Frank (1929-1945) and her family hid for over two years from the Nazis in Holland. Her diary from these yers is an incredible testimony of the human spirit. Artwork by Susan Keeter, oil on canvas, 1996, Syracuse Cultural Workers

…in spite of everything, I still believe that people are really good at heart.

I have an insanely busy week ahead, so I’m taking it easy on myself with low-effort posts. I will be sharing “quote” postcards I’ve received that haven’t been shared on Pics and Posts before. The posts will be (otherwise) wordless, but feel free to share your own responses and opinions about the quote in the comments. Have a good, productive, and happy week!


Who sent it? The postcard came from a new Love Notes friend, Dove S. She sent this one along with another one that I plan to share this week.

Photo Poem | Cry Wild

Cry Wild Red

Last week when my bestie asked how I was doing. I told her, “I am out of words. I need to howl.” So, we howled. Via text message.

Howl

There has been so much talking lately. So many words. Too many wrong words. Words that divide. Words that hurt. Words that maim. About five years ago—when the global noise had escalated unbearably—I shared the words of a former student, “the world needs a little silence.” 

I think we’re at that point again.

We need less words. Less commentary. Less opinions. Less arguing and defending. Less reacting. We need healing words. I realized this as I was reading Allen Ginsberg’s “Howl” last night. The length, weight, and relevance of that piece made it intolerable for this moment. Though I indeed feel like “howling,” nayyirah waheed’s poem, “break,” more aptly captures what is needful.

cry wild.
you have probably never cried wild.
but, you know what doors
feel like.
you have
an intimacy with doors
that is killing you.

–break, nayirrah waheed, salt

The losses are mounting. The grief is heart-shattering, but our tears are restrained.

We must unleash them. We must break.

We must break to heal.

November Chaos | But. I. Must.

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Hard times require poetry, so I’m throwing myself into the works of some of my favorite poets this evening. I’m laying down all the challenges of the week, the month, the year, all the disgust I feel over the Rittenhouse verdict, and all the pent up emotions over [it seems] a hundred other things.

If we are not careful, the bitter disappointments and horrors of this world can make us distant and cold, so let’s meditate on the wisdom of Maya Angelou and strive to show up in a way that will stand for eternity.

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“Continue” by Maya Angelou
(This is part of the poem written as a gift for Oprah Winfrey)

My wish for you
Is that you continue

Continue

To be who and how you are
To astonish a mean world
With your acts of kindness

Continue

To allow humor to lighten the burden
of your tender heart

Continue

In a society dark with cruelty
To let the people hear the grandeur
Of God in the peals of your laughter

Continue

To let your eloquence
Elevate the people to heights
They had only imagined

Continue

To remind the people that
Each is as good as the other
And that no one is beneath
Nor above you

Continue

To remember your own young years
And look with favor upon the lost
And the least and the lonely

Continue

To put the mantel of your protection
Around the bodies of
The young and defenseless

Continue

To take the hand of the despised
And diseased and walk proudly with them
In the high street
Some might see you and
Be encouraged to do likewise

Continue

To plant a public kiss of concern
On the cheek of the sick
And the aged and infirm
And count that as a
Natural action to be expected

Continue

To let gratitude be the pillow
Upon which you kneel to
Say your nightly prayer
And let faith be the bridge
You build to overcome evil
And welcome good

Continue

To ignore no vision
Which comes to enlarge your range
And increase your spirit

Continue

To dare to love deeply
And risk everything
For the good thing

Continue

To float
Happily in the sea of infinite substance
Which set aside riches for you
Before you had a name

Continue

And by doing so
You and your work
Will be able to continue
Eternally

I pray that you continue…

Student Post 4: Guilty, Guilty, Guilty

Dogwood in April-1

We are the earth. We are essentially the earth itself. –Joy Harjo, on poetry

Hello blows through the trees […] Pass this love on […] –Joy Harjo, from pandemic poem

Today is Earth Day and #ThursdayTreeLove! None of my students wrote about trees or the beauty of the earth and our role as its custodians, so I’m giving you a tiny bit of a dogwood I couldn’t resist when I saw its petals against the clear blue sky.

Of course, I’m giving you a little more than that. One of my students shared her response to the Derek Chauvin verdict–guilty on all counts–and I thought about how taking care of the earth includes taking care of humanity. Hatred for, cruelty toward, and even disinterest in humanity are just as destructive as litter, noise pollution, oil spills, and global warming.

Our “sparkly” Jess of Black Modern Thoughts gives us something to think about as she muses over George Floyd’s murder, the route to justice, and the verdict for the former police officer in her post, “guilty”.


I am joining Parul Thakur for #ThursdayTreeLove every second and fourth Thursday of the month. If you would like to play along, post a picture of a tree on your blog and link it back to her latest #treelove post.

Tired like Langston

“Langston,” Lynita Solomon. Used by Permission of the Artist

Yesterday, I read a Facebook post by a woman who denigrated Vice President Kamala Harris for no good reason. The woman asserted that Harris is not a role model and no one should have their daughters look up to her.

The post and responses were hateful and extremely disrespectful. I can’t figure out how people can stir up so much hatred for a person they don’t know just because they don’t agree with the person’s policies or positions on certain issues.

Beyond this illogic, some made lewd remarks and [like the original poster] claimed Harris did “anything” to reach the VP position. The whole thing was disturbing. And to make matters worse, the post was “liked” thousands of times and shared more than 17,000 times!

The comments played into the hypersexualized view of Black women that was written into the narrative of American history to cover the multitude of white men’s violations against Black women’s bodies and personhood. The narrative is hurtful and just as dangerous as the one that gets Black men and women shot for just breathing.

Like the speaker in Langston Hughes’s poem, I’m so tired.

Tired
Langston Hughes

I am so tired of waiting.

Aren’t you,
for the world to become good
and beautiful and kind?
Let us take a knife
and cut the world in two —
and see what worms are eating
at the rind.

About the Image: The art above is the work of graphic illustrator, Lynita “Elle” Solomon. She posted the image on Instagram in honor of the day Langston Hughes was born, 119 years ago. Lynita has an amazing way of presenting her subjects “without faces,” but we know exactly who they are anyway. You can see more of her work by clicking the image above.

Ally.

Photo by Teemu Paananen on Unsplash

When I wrote, “Dear Friend,” a couple of months ago, I did not expect the friend to whom it was addressed to run to me, grab my hands and begin singing along with me, “We Are the World.” However, I did expect her to take a moment and at least consider my words. I did expect her to ask the God we both serve for some direction. That didn’t happen either.

In fact, she reacted very poorly: she accused me of spreading hate, of calling for rebellion [against state-sanctioned violence?], of inciting violence, and of threatening her. Then, soon after sending the message, she blocked me and removed herself from all social media.

She is not an ally.

The next morning, her daughter sent a hopeful message. She apologized for her mother’s behavior, thanked me for my candor, and asked me to pray for her mother. She wrote, in part:

This is an ongoing polarizing conversation between the two of us. I appreciate your leading with love and kindness [. . .]. I think of you and stand with you. As an educator, I will continue to fight for justice for my students.

Even though I was baffled by the mother’s response, one thing was clear–her daughter is an ally. She stands up, she stands with, and she will fight with us for what is just.

If you want to know how to be an ally and what it means to be one–beyond the hollow use of the word by far too many recently–see this post by my blogging friend, writer KE Garland:  Monday Notes: Five Examples of White Allyship.

The work of undoing racism is exhausting, but African Americans and other oppressed people of color cannot do it alone. We need allies–allies who are willing and brave enough to do the work with us.

Guest Post | “Tightrope” by Elle Arra

Photo by Elle Arra

Today’s guest post for our series on living Black in the United States was written by my friend, Elle Arra. I met Elle Arra through her poetry blog here on WordPress. She is an amazing poet and visual artist, and I was delighted to learn she lives right here in Northern Alabama. In fact, we know many of the same people! We have made plans to get together for tea when meeting and greeting are safe again.

In this post, Elle Arra combines poetry, photos, and reportage to share her experience of participating in a protest over the Alabama District Attorney’s refusal to release officers’ body camera footage in the police shooting of Dana Sherrod Fletcher last November.


Suspended above the day’s mundanity and slog,
an ever-present tightrope
black bodies traverse in tandem.
It’s like navigating an ocean built
almost entirely of undertow
while maintaining stride and heft of dreams.

We are not permitted our hysteria
not without it being labeled non sequitur rage.

We walk this tightrope
lilting between full bloom
and languish,
walk with bullets in our backs,
twine around our necks,
asphalt under our skin,
knees on our windpipes,
tree branches in our hair,
blood like rubies cascading,
splayed bone like smooth porcelain,
black skin – ribbons and ribbons,
afro confetti––

Photo by Elle Arra

Sunday, August 16, 2020. I walked the four corners of US 72 and Wall Triana [in Madison County, Alabama] where giant signs were hoisted in peaceful protest of the shooting of Dana Fletcher 10 months earlier. I took photos and spoke with his wife and mother who have had to wedge their grief and mourning between breathing and fighting for justice. I cannot imagine having to take moments meant for private sorrows to fight publicly for transparency—the human and decent thing being denied them.

I watched Dana’s now fatherless daughter playing in the grass while her mother, grandmother, and a sizable group gave everything they had to this effort. I took it all in–the focus on their faces, the bullhorn call and response, and the raised signs calling for justice.

Photo by Elle Arra

It was extremely hot and humid that late morning/early afternoon, but the dedicated group spent three hours occupying the four corners of the intersection adjacent to the lot where Dana was killed. People from all walks of life honked as they drove by and elevated their fists through car windows in solidarity. Several vehicles pulled up and gifted cold, refreshing, electrolyte drinks to the protestors. There was beauty in the coming together despite the bitter reasons for the gathering; there was beauty in the union of people of all colors and lifestyles for one common goal.

On October 27, 2019 Dana Fletcher was fatally shot by a Madison police officer in front of his wife and daughter. Nearly a year later, there still has been no transparency in this matter. According to Alabama law, body camera footage is privileged information, so the District Attorney refuses to release the footage or the alleged 911 call that precipitated Fletcher’s death. Stills from the incident have been released, but these stills do not reveal the whole story.

You can help. Please go to change.org and sign the petition to enact the Dana Fletcher bill making bodycam footage public record.

Photo by Elle Arra

We walk that tightrope,
what a beautiful gait.

––even our dying is a glorious walk home.

To learn more about Elle Arra and her work, please follow her on Instagram and Facebook.

Photo by Elle Arra

[All images in this post captured by Elle Arra with Fujifilm X-E1 f/1.0 1/4000 50.00mm ISO200].

Summoned Mother | Tameka Cage Conley

All mothers were summoned, when George Floyd called out for his mother. —Rachel Costa

Every mother heard him. We heard George Floyd. We hear him. —Kadiatou Diallo, mother of Amadou Diallo who was murdered by New York City police officers in 1999.

For today’s post on living Black in the United States, I invite you to view a three-part series presented by the University of Iowa Stanley Museum of Art. The project features Dr. Tameka Cage Conley, an artist I initially met many years ago when she was a student–an English major, of course. 😉 I am so very proud of her and her work.

The museum describes the “Summoned Mother” series as:

a memoir of a particular American motherhood: Black and uniquely precarious. This three-volume video series features Dr. Tameka Cage Conley, a literary artist and mother to a six-year-old Black boy, as she responds to George Floyd’s breathless call on motherhood. Conley juxtaposes the works of Elizabeth Catlett with those of contemporary Black poets, bridging the visual and literary arts in a meditation of Black artistry’s longstanding eye on injustice.

Dr. Tameka’s masterful weave of poetry, art, story, and song achingly reaches that primordial place in all mothers that compels us to protect, to rescue, to do something.

The project was spearheaded by Kwadwo Nnuro; the entire series is approximately 42 minutes in length.


About the image: The image that leads today’s post features a favorite photo of my son and me–modified for the post.

Other posts in the “Black Lives Matter” Monday series:

Breathe | Two Poems

I do not have a guest post today. Instead, I offer two poems written [by Toi Derricotte and Ross Gay] in response to the murders of George Floyd and Eric Garner. Both men uttered the words, “I can’t breathe” before they died at the hands [or feet] of police officers.

Why I Don’t Write About George Floyd [2020]
Toi Derricotte

Because there is too much to say
Because I have nothing to say
Because I don’t know what to say
Because everything has been said
Because it hurts too much to say
What can I say what can I say
Something is stuck in my throat
Something is stuck like an apple
Something is stuck like a knife
Something is stuffed like a foot
Something is stuffed like a body

***     ***     ***

A Small Needful Fact [2015]
Ross Gay

Is that Eric Garner worked
for some time for the Parks and Rec.
Horticultural Department, which means,
perhaps, that with his very large hands,
perhaps, in all likelihood,
he put gently into the earth
some plants which, most likely,
some of them, in all likelihood,
continue to grow, continue
to do what such plants do, like house
and feed small and necessary creatures,
like being pleasant to touch and smell,
like converting sunlight
into food, like making it easier
for us to breathe.


About the image: I shot [and edited] the photo above about 5 years ago while on one of my campus photo walks. A few days after George Floyd’s murder the photo “resurfaced” while I was looking through my archives for a different photograph.

Guest Post | “Fight for Social Justice” with Tiff & Lu

Today we continue our Monday series of perspectives on #BlackLivesMatter, racism, police violence, and living Black in the United States. For today’s post my niece Tiff and her daughter Lu share a photograph which speaks to their passion for social justice.

Tiff is an activist, and she is teaching her daughter to stand up for herself and for others. Lu was only a few months old when she participated in her first protest–against migrant children being separated from their parents and placed in “cages.”

Here, Tiff and Lu participate in a recent #BlackLivesMatter protest. Tiff is always on point with her signage, but Lu’s position on the issue of race and social justice is so profound that we have little choice but to lean in and listen.

Let’s get this right before Lu grows up. We don’t want her to [still] be fighting racial injustice at the ages of 18, 25, 30, 40, 50, 60, 75.