#ThursdayTreeLove | Le Flamboyant

“Le Flamboyant,” 2003, Enel Desir. Acrylic on Canvas.

Isn’t this a stunning work of art?

I pulled “Le Flamboyant,” the image above, from an old agenda that I can’t bring myself to toss because it is beautiful and educational. Though I love the rural scene depicted here, we all know I am drawn to this masterpiece because of the “flamboyant” or flame tree, which dominates this work of Haitian artist Enel Desir.

Enel Desir was born in Cavaillon, a small town in southwest Haiti, and began painting at a very young age. While attending the lycée [high school], he worked various jobs–as a photographer-reporter, a calligrapher, and an illustrator. Under the supervision of a French art teacher, Desir studied the work of such great masters as Velasquez, Renoir, and Rembrandt, which had tremendous influence on his early style.

One of his favorite subjects is the Haitian market scene, which he interprets through his colorful depictions of merchants selling flowers, and his still lifes of local fruits and vegetables. The colors Desir uses–soft green, red, orange, light blue, and yellow–enhance the appearance of the black skin of the human figures in his paintings. In 1991, the art critic Ed McCormack compared Desir with the great Mexican muralist Siqueiros. “Desir,” McCormack said, “creates sophisticated pictorials.”

Desir has participated in numerous worldwide exhibitions; his paintings have always been well received, particularly in the International Exhibition of Seville, Spain (1992) and in South Africa. Very much in demand, his works have been featured on television and in museums, books, magazines, and newspapers around the world. He was a featured artist at the Organization of American States’ exhibit in Haiti, held in Washington, DC, where he resides and paints. –from 365 Days of Black History, IOKTS Productions, published by Pomegranate.

I have had little success with finding more of Desir’s art via the internet. One brief biography of the artist pointed out that though he is a prolific artist compelled to create art, his work is scarce in the marketplace. I did manage to find one other image at the Galerie d’Art Nader of Haiti.

For actual photos of the beautiful flamboyant tree, click here.


I am joining Parul Thakur for #ThursdayTreeLove every second and fourth Thursday of the month. If you would like to play along, post a picture of a tree on your blog and link it back to her latest #treelove post.

#ThursdayTreeLove | TreeArt Part III: A Masterpiece

I’m back with my final TreeArt photo from a late May visit to Burritt on the Mountain.

A gorgeous tree stump arrested my attention just before we entered the “open-air museum,” as the park is described. It was behind a low fence near the entrance, so I walked around the fence to take a few shots. For my son, who is a stickler for rules, the fence meant “don’t go there.” so I had to be quick.

I was mesmerized by the patterns. It had recently rained, so the dampness gave the stump a smooth, polished texture. Isn’t it beautiful?

I’m convinced the “inside” of a tree is one of nature’s most magnificent masterpieces.


I am joining Parul Thakur for #ThursdayTreeLove every second and fourth Thursday of the month. If you would like to play along, post a picture of a tree on your blog and link it back to her latest #treelove post.

#ThursdayTreeLove | TreeArt Part II: Shadow and Light

We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates…Were it not for shadows, there would be no beauty.  –Junichiro Tanizaki, In Praise of Shadows, 1933

I don’t know about you, but I really need time to slow down a bit. How are we already at the end of June? I am trying to savor this summer, but it’s almost impossible since I really haven’t begun my summer break yet (meetings and tying up too many loose ends of a crazy COVID semester). I will have to work a lot of tree love into the remaining five weeks if I am to face a new academic year with at least a little sanity.

Anyway, I’m back, as promised, with the second installment of TreeArt. The photos aren’t spectacular, but I I was drawn to these particular shots because of the interplay of shadow and light.

I failed to mention in TreeArt Part I that the photos for this three-part series were shot at Burritt on the Mountain in Huntsville, Alabama.

If you want way more Burritt tree love [and autumn loveliness] you should check out my November 2016 post, Walk to the Cross.

Until next time…


I am joining Parul Thakur for #ThursdayTreeLove every second and fourth Thursday of the month. If you would like to play along, post a picture of a tree on your blog and link it back to her latest #treelove post.

#ThursdayTreeLove | Loved Thrice

Trees in Steamboat Springs, Colorado. Artwork by Christine B.

I prefer winter and fall, when you feel the bone structure of the landscape—
the loneliness of it, the dead feeling of winter.
Something waits beneath it, the whole story doesn’t show.
~Andrew Wyeth

I had a different tree love post in mind for today, but when my friend Christine B. sent (via message) two tree watercolors she completed while on vacation in Colorado, I decided to share one of her pieces instead.

Is there any better way to express tree love than through art?

Through painting, sketching, or drawing a tree, the artist loves the tree in at least three ways–with eyes, with hands, and with heart.


I am joining Parul Thakur for #ThursdayTreeLove every second and fourth Thursday of the month. If you would like to play along, post a picture of a tree on your blog and link it back to her latest #treelove post.