Photo Inspiration | Immortality

Immortality


About the Image: This photo features vintage postcards my Love Notes friend Fran B sent last year. I am in awe of the handwriting and the well-preserved ink (and postcards themselves) after so many decades. If you look closely at the postmarks, you can see the postcards were written and mailed in 1950, 1944, and 1909 (112 years ago!). I will eventually write a longer post about them, but for now, please enjoy the photo with an appropriate line from an Emily Dickinson letter to Thomas Wentworth Higginson.

Gallery in the French Quarter | New Orleans

“One of the many typical gallery scenes in the Vieux Carre section where balconies over hang the narrow and picturesque streets.” –Description from postcard back

Doesn’t this look like a lovely place to be, “to escape thoughts of the Corona Virus?” as one of my friends commented when I shared a photo of this postcard with her this morning.

The “French Quarter Gallery” is one of many, many vintage New Orleans postcards I received from a blog reader I encountered just a few weeks ago via email. After visiting my blog–perhaps after reading my “About Me” page–April C contacted me and told me she had some antique New Orleans postcards that she would like to send to me. Of course, I said, “Yes!”

I expected 10–no more than 20–postcards to add to my “Vintage NOLA” collection, but I was shocked when my hubby returned from the Post Office last week and placed a package filled with postcards in my hands. 120 postcards, to be exact!

About 10-15 of the postcards are from a road trip April’s grandfather took in the 1950’s. The rest are from her Aunt Dixie who collects things “labeled Dixie” because of her name. I haven’t combed through the postcards carefully yet, but it seems the earliest postcard is dated 1930. Some have notes and postmarks and others are blank. I’m looking forward to diving in a bit deeper over the next few weeks.

According to my preliminary research the “Genuine Curteich-Chicago C.T. Art-Colortone Post card” above was printed in 1937. It is attributed to A. Hirschwitz of New Orleans, Louisiana.

I’ll be “showcasing” more of the postcards here on Pics and Posts–little by little–over the next few [or several] months, so be sure to tune in.

Until then, enjoy a few older posts featuring vintage postcards:

A million thanks to you, April, for this phenomenal gift!

Vintage Bears Need Love Too!

Do you want to see some vintage bears? Nope, not teddy bears. Regular, real life bears. Because of my ❤ for bears, my postcard pal, Fran B, sent me a nice set of seven vintage bear postcards she found at estate sales and antique shops, and I’ve been looking forward to sharing them.

The first five postcards feature bears from Yellowstone National Park. The postcards are undated, but three of the five were copyrighted by Haynes Picture Shops, Inc., St. Paul, MN and Yellowstone National Park, Wyoming. Based on the one-cent postage required, they were printed either before World War I or immediately afterwards.

Take a look!

From the postcard back: Twin Cub Bears, Yellowstone Park. The black bear exists in the park in a number of color phases. The commonest type is black with a brown nose.  Others are dark and medium brown, reddish brown and dull buffy brown. Even cub bears resent being teased and are usually treated with the respect they deserve.

From the postcard back: The Woman Bear, Yellowstone Park. “The most remarkable wild animal picture ever taken” (Ernest Thompson Seton), as photographed in the mountain wilds near the Grand Canyon by E. W. Hunter, master wild animal photographer of the Haynes organization.

From the postcard back: The Grizzly Bear, also known as the silver tip, is the most respected of all of the family of bears, not alone by men but by other bears. They are inoffensive if not molested, but when attacked they become extremely dangerous.

I’m not sure if the other two Yellowstone bears (below) were published by the Haynes Picture Shops or if the three bears above were part of the same series. There’s no company name on the back, but there is a symbol or logo and an arrow with letters–company initials, maybe???

Notice the letters in the arrow?  HHT CO or is it T CO?

“Brown Bear Waiting for Garbage, Yellowstone National Park”

From the postcard back: A Yellowstone Park Bear. The bears of the Park are objects of peculiar interest. No sound of gun or bark of dog is ever heard, and the bears, though wild, have become so tame that they give only curious notice to the tourists as they pass. Some of the bears are wrapped in robes that would command a fancy price. They come down in the evening from their home in the hills to feed around the hotels.

From the postcard back: Bears in Yellowstone Park. With each succeeding year the wild animals in the Park become a more interesting feature of it. Here is really the only place where the public in general can freely see the animals of the forest and the wilds in their natural state. The bears are found near the hotesl and it requires no exertion, beyond the walk of a few rods, by tourists to see them.

The postcard below was printed circa 1950 and features a Polar Bear at the Forest Park Zoo in St. Louis, Missouri.

“Polar Bear Pit,” Published by Paul Monroe Company

From the postcard back: Polar Bear Pit, Forest Park Zoo, St. Louis, Missouri. The entire zoo occupies 77 acres in Forest Park. At a cost of $250,000, these famous cageless bear pits were built. The bears are separated from nearby spectators only by a wide moat banked by a concrete shelving which the bears can’t climb.

This final postcard warns us to watch out for (bear) hitchhikers. They’re not as innocent as they appear.

Seney, MI, Published by ColourPicture, Boston, Massachusetts

From the postcard back: Black Bear Hitchhiker. Although sometimes thought of as a big lovable clown, don’t let this panhandling act fool you. Bears are dangerous animals and should be viewed from a distance.

So they’re not fluffy, cuddly bears we can take home with us, but we can still love them–from a safe distance.

Thanks to Fran, the cards are now part of my vintage postcard collection. When time permits, I will work to find out more information about the postcards, but for now, I’ll just enjoy them.

Note: Information from the postcard back was typed as it appears on the back of the postcards. I wouldn’t call a “female bear” a “woman bear.” 😉

Vintage in My Mailbox

It’s “hump day,” and as usual by midweek, exhaustion has a strong grip on my mind and body, so I’m dropping in with a quick post to share the vintage photography postcards I received yesterday.

The postcard below tells the story of my life–a book in my hand, glasses nearby, ever mindful of the time.

This one speaks to the creativity breaks I’ve purposefully taken to maintain sanity and balance–photo walks, capturing the splendor of autumn and the intriguing sights in the places I travel throughout the day(s).

Christine B sent both to me–the first one because she thought I’d like it, the second one because the camera and photos remind her of me. Of course, I love both because…there’s something about vintage photography. 😉

One of the things that attracts me to vintage and antique things is they have stories, and even if I don’t know the stories, I make them up. –Mary Kay Andrews

Until tomorrow…

My Mailbox Speaks French: “Les publicités anciennes” (Old Advertisements)

Though my skills in other languages are minimal, my mailbox is multilingual. Just a few days ago I retrieved a happy envelope full of postcard goodies from France.  Louise of Drops of Everything sent me the package thanking me for a kindness.  Of course, this was unnecessary, but I’m learning not to stifle people’s desire to give or my mailbox’s right to be happy. 😉

Louise sent a note via Instagram letting me know that “a little something” was on the way. I had no idea what, but since I love surprises, I didn’t even try to guess. Therefore, I was thoroughly pleased when I opened the envelope and found five glossy vintage French advertisement reproductions.

The postcards are from a collection of vintage postcard reproductions.  I’ve done my best to find out more about the collection, but my French is beyond rusty (an understatement).  No matter. There was a lot of great information on the backs of the postcards.  The collection is called “Les Publicites Anciennes,” roughly translated “old advertisements.”

Reproduction of a beautiful lithographic poster executed about 1900 (anonymous author) for cocoa "Van Houten." Printing works F. Champeois, Paris. Source: private collection

Reproduction of a beautiful lithographic poster executed about 1900 (anonymous author) for “Cocoa Van Houten.” Printing: F. Champeois, Paris. Source: Private collection.

 

Reproduction of a famous and original charm-lithography of 1893 designed by the artist Firmin Bouisset for the "Chocolat Menier." Printer: Offices Camis Paris. Source: Private Collection.

Reproduction of a famous and original chromo-lithograph of 1893 designed by the artist Firmin Bouisset for the “Chocolat Menier.” Printer: Offices Camis Paris. Source: Private Collection.

 

Reproduction of an original chromo-lithograph of 1897 designed by the artist Firmin Bouisset for "biscuits Lu" (Lefevre Utile). Printer: Offices Camis Paris. Source: Private collection.

Reproduction of an original chromo-lithograph of 1897 designed by the artist Firmin Bouisset for “Biscuits Lu” (Lefevre Utile). Printer: Offices Camis Paris. Source: Private collection.

 

Reproduction of a beautiful chromo-lithograph produced at the beginning of the 20th century for Ets Vendors which at that time made "Calais" biscuits. Printer: F. Champenois, Paris. Source: Private collection.

Reproduction of a beautiful chromo-lithograph produced at the beginning of the 20th century for Ets Vendors which at that time made “Calais” biscuits. Printer: F. Champenois, Paris. Source: Private collection.

 

Reproduction of a famous illustration (first half of 20th century) produced by the artist Germaine Bouret (1907-1953) for the Paitissiers de face collective, found on pastry packaging and cake boxes. Source: Private collection.

Reproduction of a famous illustration (first half of 20th century) produced by the artist Germaine Bouret (1907-1953) for the Pâtisserie de face collective, found on pastry packaging and cake boxes. Source: Private collection.

Aren’t these delicious? And they arrived in time for the holidays. 🙂

It seems the postcards come from a collection “Les Authentiques et les Imaginares.” In my search for more information about the postcards, I discovered that there are a number of counterfeits of Germaine Bouret’s work and some vendors continue to sell the postcards even though it is illegal to do so.  I’m baffled by the lengths people will go to profit off someone else’s creative and intellectual property, but I’m curious about the Bouret counterfeits.  In my curiosity, I was led to an original sketch of the illustration above: Bouret Advertisement Illustrations.  In fact, on this site the particular collection from which this postcard comes was listed as an offender (but not this particular postcard).  Interesting, right? When time permits, I’m going to uncover as much as I can about this collection.

So…Louise, thanks for sending me a bundle of gorgeous postcards AND the unplanned intrigue!

 

There’s Just Something About New Orleans: Vintage New Orleans Postcards

A few days ago, I received the latest vintage New Orleans postcard to add to my “vintage NOLA” collection.  I’ve received at least a dozen over the last couple of years via swap-bot swappers.

The linen postcards which follow measure approximately 3.5 x 5.5 inches. None of the postcards bear dates, so I can only judge the printing date by the postal instructions: “Place one cent stamp here.”  The cost to mail a postcard was one cent from 1898 to 1917, which means most of the postcards were printed during this period.

New Orleans Vintage Postcards Back

New Orleans Vintage Postcards Back

Like this one, each bears the line, “New Orleans–America’s Most Interesting City” on the back. Forgive my bias, but  I couldn’t agree more.

Courtyard, Little Theatre 616 St. Peter

Courtyard, Little Theatre, 616 St. Peter, New Orleans

From the postcard back: “Le Petit Theatre du Vieux-Carre” is considered one of the leading Little Theatres of the country.  It occupies the former home and courtyard of Don Manuel Gayoso de Lemos, the last Spanish Governor of Louisiana.  The courtyard is one of the most beautiful in the city.

Here’s another view of the Little Theatre Courtyard:

Courtyard of Little Theatre, New Orleans, Louisiana

Courtyard of Little Theatre, New Orleans

Here’s one of the iron lacework so popular in the French Quarter:

Lacework in Iron in Old New Orleans

Lacework in Iron in Old New Orleans

From the postcard back: These delicate lacework patterns in wrong and cast iron, characteristic of the Vieux Carre give the quarter of New Orleans its atmosphere of old France and Old Spain.

Jackson Square, showing the Cabildo, the St.Louis Cathedral, and Pontalba Apartments, New Orleans, Louisiana

Jackson Square, showing the Cabildo, the St. Louis Cathedral, and Pontalba Apartments, New Orleans

From the postcard back:  Jackson Square, originally known as Place D’Armes is a monument to Don Andres Almonester y Roxas, whose funds built the St. Louis Cathedral in 1794, and Pontalba Apartments, flanking the Square.  The building to the left of the religious edifice is the Cabildo, best known monument to the age of Spanish domination, and storehouse of historic treasures.  The building on the right of the church is the Presbytere, housing the Natural Science Division of the Louisiana State Museum.  In the center of the square is the Jackson Monument unveiled in 1856. Jackson Square has been well-preserved and is under excellent care.

Pirate's Alley, New Orleans, Louisiana

Pirate’s Alley, New Orleans

From the postcard back: Pirate’s Alley extends for one block from Royal Street to Chartres Street. Through this alleyway pirates were taken to the Cabildo Jail.  It is also known as Old Orleans Alley and separates the Cabildo from Old St. Louis Cathedral.

The Old Absinthe House, Bourbon at Bienville, New Orleans, Louisiana

The Old Absinthe House, Bourbon at Bienville, New Orleans

From the postcard back: The Old Absinthe House is one of the oldest buildings in New Orleans’ internationally famous Vieux Carre and was the headquarters, during the latter part of the 18th and the early part of the 19th centuries, of Jean Lafitte, the pirate-patriot of whose prowess and wrath volumes have been written.  Today, after the span of three centuries, it is still catering to connoisseurs and discriminating drinkers from every part of the world.

Napolean Bonaparte House, New Orleans, Louisiana

Napolean Bonaparte House, New Orleans

From the postcard back: The Napoleon Bonaparte House, situated in the heart of New Orleans’s famous View Carre or French Quarter, is located at the corner of St. Louis and Chartres Streets.  This building was erected with the idea of providing quarters of refuge for Napoleon Bonaparte after the bold plot in which the story says the noted LaFitte band of pirates was involved to kidnap him from exile in St. Helena and bring him to New Orleans.  The plot failed because Napoleon died before it could be executed.

March 2014 Incoming Mail-1-31

Fan Window in Governor Claiborne’s House, Toulouse Street, New Orleans

From the postcard back: In many of the old homes in the Vieux Carre, huge fan windows like this one, the finest n the city, na still be found.  Claiborne, the first American Governor of the territory of Orleans, was nominated on Friday, October 5, 1804.  In 1812 the territory of Orleans became the present state of Louisiana.

St. Charles Hotel, New Orleans, Louisiana

St. Charles Hotel, New Orleans

From the postcard back:  St. Charles Hotel, New Orleans, La.  Accommodating 1000 Guests.  A Dinkler Hotel. Carling Dinkler, Pres.

This postcard depicts the third St. Charles Hotel, built shortly after fire destroyed the second building in 1894.  The first building was also destroyed by fire–in1851.  See here for more information and images of the first two buildings.

Vintage New Orleans-5

Canal Street

From the postcard back: Canal Street, one of the widest, most beautiful, and best lighted streets in the world, is the center of all activities in New Orleans.

Azaeleas in Bloom.  City Park, New Orleans, La.

Azaeleas in Bloom, City Park of New Orleans

From the postcard back: One of the beautiful plantings of azaleas to be found in New Orleans. The city has recently completed a floral trail of over 25 miles in length, making thus one of the most colorful winter garden spots in the United States.

March 2014 Incoming Mail-1-37

Unloading Bananas, New Orleans

From the postcard back:  New Orleans is the world’s greatest banana port.  More than 700 ships arrive each year laded with 25,000 to 50,000 bunches of bananas.  Each individual bunch is carried from the hold of the ship tot he door of the refrigerator on mechanical conveyers.

These last few, though vintage, are a lot more recent than the smaller, brightly colored linen postcards above.

An updated image of Jackson Square:

Jackson Square, New Orleans

Jackson Square, New Orleans

And the Pontalba Apartments:

Pontalba Building, New Orleans

Pontalba Building, New Orleans

From the postcard back: Pontalba Apartments.  Built in 1850, the two red brick structures on either side of Jackson Square are believed to be the first apartment buildings in the United States.

Vintage New Orleans-4

Bourbon and Bienville, New Orleans

From postcard back: Crossroads of the historic French Quarter.  The corner is also the home of the Absinthe House.  Photo by Don Ceppi.

Vintage New Orleans-3

This postcard features postcard images I remember purchasing many, many moons ago when I was working on a project for my Louisiana History class (in junior high school).  Featured on the postcard are: at The Superdome, Jackson Square, Bourbon and Bienveille, Cafe Du Monde, Bourbon and Bienville signs, The Dickson’s Place, Lace Balconies, Jackson Square and the St. Louis Cathedral, Mardi Gras, Bourbon Street, St. Charles Street Car, and Aft-Deck Oyster Bar.

Judging by the postcards, the things that made New Orleans dear to the hearts of individuals nearly a century ago are still drawing individuals to the city today.

If these postcards have piqued your interest, take some time to look into the history of these buildings and sites of New Orleans. You will be intrigued.  There’s just something about New Orleans…

I’m not going to lay down in words the lure of this place.  Every great writer in the land, from Faulker to Twain to Rice to Ford, has tried to do it and fallen short.  It is impossible to capture the essence, tolerance, and spirit of south Louisiana in words and to try is to roll down a road of cliches, bouncing over beignets and needs and brass bands and it just is what it is–It is home.   –Chris Rose, One Dead in the Attic

 

 

Pause for a Poet

I’ve had a busy, busy week as I’m experiencing a major transition.  I thought I wouldn’t have time to post again for at least another two weeks, but today’s fun mail compelled me to pause and share.

I received three postcards today for bookish swaps, two from Eric, who typically sends two postcards. Every now and then a postcard makes me squeal with glee. This one certainly did.

Longfellow Home

Longfellow’s Home, Portland, Maine.

Perhaps, if you’re not a lover of poetry or of American poetry, you have no idea why this excites me. Maybe, you assume it’s because this is a vintage postcard.  That would be a great guess, but that’s not exactly it.  I thoroughly appreciate having this card in my possession, one that, as Eric pointed out, was printed just 30-40 years after Longfellow’s death.  So this truly vintage postcard adds to my excitement that this is a literary postcard that features a poet of old.  With the exception of reading Hiawatha last summer with my little one, I have not studied Longfellow since my graduate school days.  This was a a nice way to remind me to add him to my reading list.

The postcard back reads:

Longfellow’s Home.  The Longfellow Home, erected in 1785, is situated in the business center of the city.  The building and precious relics are in care of the Maine Historical Society, and is open to visitors.

Interesting (and irrelevant) tidbit–when Longfellow was born Portland, Maine was a part of Massachusetts.

Since the back is just as wonderful as the front, you might as well take a look.

Longfellow Home. Postcard Back

Postcard Back

Did you notice the postage? Take a closer look.

Longfellow Postage and Handstamped Postmark

Longfellow Postage and Postmark

My utter delight was magnified by Eric’s matching of the postage with postcard theme!  And don’t you love Longfellow’s portraits, all that beautiful wild, white hair?

The postcard took a little beating as it traveled through the United States Postal System.  Some people are bothered by the “damage done” to postcards sent “naked” through the mail, but I like the visible “scars.”  Something about them makes the postcard feel more “authentic.”

If you read the postcard, you’ll notice that Eric ends with a question:

If you had the choice, would you prefer being celebrated during your lifetime like [Longfellow] was or after like Dickinson?

Tough, tough question.  I’m on the fence.  My volumes–literally boxes full–of unpublished writings suggest that I subconsciously eschew the limelight.  While, perhaps, some celebrity would be tolerated, I’d probably be more comfortable with anonymity.  Posthumous popularity would benefit my family, I assume, and that’s a good thing. But beyond notoriety and (perhaps) financial gain, there’s also something wonderfully satisfactory about bearing witness to the light your work brings to others.

How would you answer?  Popularity while living or when you’re dead?

Think about that. I’ll leave you with a poem that I’m going to read tonight to my son–The fun-loving, mischievous daughters remind me of him.

The Children’s Hour by Henry Wadsworth Longfellow (1807-1882)

Between the dark and the daylight,
   When the night is beginning to lower,
Comes a pause in the day’s occupations,
   That is known as the Children’s Hour.

I hear in the chamber above me
   The patter of little feet,
The sound of a door that is opened,
   And voices soft and sweet.

From my study I see in the lamplight,
   Descending the broad hall stair,
Grave Alice, and laughing Allegra,
   And Edith with golden hair.

A whisper, and then a silence:
   Yet I know by their merry eyes
They are plotting and planning together
   To take me by surprise.

A sudden rush from the stairway,
   A sudden raid from the hall!
By three doors left unguarded
   They enter my castle wall!

They climb up into my turret
   O’er the arms and back of my chair;
If I try to escape, they surround me;
   They seem to be everywhere.

They almost devour me with kisses,
   Their arms about me entwine,
Till I think of the Bishop of Bingen
   In his Mouse-Tower on the Rhine!

Do you think, O blue-eyed banditti,
   Because you have scaled the wall,
Such an old mustache as I am
   Is not a match for you all!

I have you fast in my fortress,
   And will not let you depart,
But put you down into the dungeon
   In the round-tower of my heart.

And there will I keep you forever,
   Yes, forever and a day,
Till the walls shall crumble to ruin,
   And moulder in dust away!

 

Church Bells Ringing…

While clearing and organizing my desk last night, I was pleased to find many things I’d forgotten I’d received.  One was a package of vintage church postcards swap-bot “digitalmaven” sent earlier this year. I’m sure, after thanking her for the wonderful collection, I returned the postcards to the envelope intending to study them later.  Later never came.  Then (after clearing my desk), I began gathering photos to send in a  photo “destash” swap and I ran across one of the photos of a rustic church I shot last year when visiting my in-laws.  I had no choice but share in a blog post the beautiful vintage church postcards.

Here, first, is the photo that’s probably heading out this week:

Chapel of Peace

Chapel of Peace, Ferguson, North Carolina

I posted photos from a trip to the Whippoorwill Academy and Village in a couple of earlier posts here and here.  The quaint “Chapel of Peace” is often used for small wedding ceremonies.  I added the verse from Emily Dickinson’s Poem 236 because it reminds us that while we are strengthened through meeting in fellowship with those who share our spiritual principles, it is also necessary to spend time alone with God, commune with Him in nature, and enjoy our bits of heaven on earth.

Digitalmaven sent seven vintage postcards:

The United Methodist Memorial Home, Chancel of the Applegate Chapel

Chancel of the Applegate Chapel. Le France Color Fotos, Westerville, OH.

The Chancel of the Applegate Chapel is part of the United Methodist Memorial Home in Warren, Indiana. The Chapel offers a place for residents to mediate and worship.

The Wayfarers Chapel

“The Wayfarers Chapel.” Photo by Union Pacific Railroad, Published and Distributed by Columbia.

The Wayfarer’s Chapel, often called “The Glass Church,” is located on the coast of the Palos Verdes Hills near Portuguese Bend, California.

Saint Sophia Greek Orthodox Cathedral, Los Angeles, California

“The Bishop’s Throne,” Saint Sophia Greek Orthodox Cathedral, Los Angeles, California. Lithochrome Press, Los Angeles.

From this seat, “The Bishop’s Throne,” situated always in the south chancel, the ranking prelate presides over services.  The throne is symbolic of episcopal authority by which the Greek Church is governed.  In the rear panel of the canopy is a representation of Christ the High Priest, and below it the ancient device of the Byzantine Empire, the two-headed eagle, suggestive of watchfulness.  The lions reference Revelation 5:5:

. . . The Lion of the tribe of Judah, the root of David, has conquered so that he can open the scroll and its seven seals.

Naval Air Station Chapel, Alameda, California

Naval Air Station Chapel, Alameda, California. Card by H.S. Crocker Co., Inc., San Francisco.

The Station Chapel, dedicated in 1943, actually consists of three chapels:  the Blessed Sacrament Chapel where daily Mass is celebrated for Roman Catholics; the Shannon Chapel which is used for small groups of non-Catholics; and the Main Chapel, seating approximately 400, which is shared by all faiths in the spirit of “Cooperation Without Compromise.”

C129-Pasadena, California

C129-Pasadena, California.  Kodachrome Reproduction by Mike Roberts Studios, Berkeley, CA.

Part of Southern California’s charm is due to its pleasing architecture. An example of beauty in buildings is the church above in the garden city of Pasadena.

Strawberry Chapel, a Chapel of Ease to Saint John's Biggin Church

Strawberry Chapel.  Photo by Stafford; Published by Berkeley County Bicentennial Commission.

Strawberry Chapel was constructed in 1725 by an Act of Assembly as a Chapel of Ease to Saint John’s Biggin Church.  It is one of the most famous historic sites in Berkeley County.

Sinclair Memorial Chapel on the Campus of Coe College, Cedar Rapids, Iowa

Sinclair Memorial Chapel on the Campus of Coe College, Cedar Rapids, Iowa. Es-N-Len Photos, Aurora, IL.

A focal point of activities on the Coe College campus is Sinclair Memorial Chapel, also known as the Coe Auditorium.  Replacing an earlier chapel destroyed by fire, it is named in honor of the T. M. Sinclair meat-pakcing family.  The building also houses Arthur Poe Chapel, a small sanctuary for meditation, and two art galleries.

After visiting these postcards, I’m tempted to go through my postcard collections and pull out other postcards featuring church buildings.  I’ll have to put that on hold, though.  My to-do list is a little too long at the moment.  For now…

Enjoy!

[Note: all descriptions are from the backs of the postcards].