To Autumn, or, Little Girls with Apples

It dawned on me this morning as I opened an envelope from Fran B, one of my Love Notes pals, that we are nearly a month into the season, and I have not done any “odes to autumn” on the blog. Shocker, right?

I assure you, I have been soaking up the goodness of early autumn as much as I can–the milder temperatures, the gentle breezes, the random highlights [bright oranges, yellows, and reds] in the trees. Academic life during COVID-19 is a level of busy I have never, ever experienced, so it’s been a bit of a struggle getting to the blog, especially since I’m typically screen-weary to the point of tears–or madness.

The artwork featured on the card Fran sent is worth my risking my sanity.

“Cider Mill” (1880) by John George Brown. Oil on Canvas. Daniel J. Terra Collection.

Cider Mill by John George Brown (1831-1913) features five little girls feasting on scrumptious apples they’ve just picked outside a cider mill. It speaks volumes about girlhood, apples, and autumn. The art is part of the Daniel J. Terra Collection of the Terra Foundation for the Arts. [Click the links to learn more about the artist and the masterpiece].

This is a delightful piece of art, but it grabbed my heart because the intensity of and seriousness in the eyes of the little girl with the red bow remind me of my baby niece, Lu, whom you’ve seen on the blog before.

Don’t you think she would fit right in?

Oh, and there’s a bonus–the first stanza of John Keats’ “To Autumn” was beautifully imprinted on the back of the card! If you’ve been keeping up, you know that he’s my favorite British Romantic poet:

Season of mists and mellow fruitfulness,
   Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
   With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
   And fill all fruit with ripeness to the core;
      To swell the gourd, and plump the hazel shells
   With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
      For summer has o’er-brimm’d their clammy cells.

Oh, there was even more autumn goodness inside the envelope, but you’ll have to wait for that. 😉

Doodling Purple | “Sitting on a Bus with Strangers”

I was a bus rider for several years, but, with the exception of taking the streetcars in New Orleans for fun, it’s been a long, long time since I rode a city bus anywhere. 

I kind of miss the almost quiet commute. Traffic and road construction were someone else’s concern, so I took the time to grade papers, review lecture notes, daydream, or rest.

I especially enjoyed people-watching: mothers with babies struggling to load strollers onto the bus and the ever-present kind gentlemen who assisted them; school kids chatting about their day or “clowning” each other; men and women in business attire leaving their work behind and mentally planning dinner or a night out. The chance meet-up of neighbors and friends, excitedly greeting each other.

There were always crazy, interesting, and [sometimes] scary stories to report after a ride on the bus.

The latest postcard from Fran B, my Love Notes pal, reminded me of those bus rides and the many stories that were part of the experience. The postcard features the poem “Sitting on a Bus with Strangers” by Teresa Wyeth. The poem is part of Indiana’s Shared Spaces/Shared Voices public art project that infused Indianapolis’ public transportation system with literary art and spoken word performances written by Indiana writers. 

About the Image: The top image is one of the photo art pieces I crafted from the mums I shot at the end of September. You can see more mums art in last week’s [not-so] #WordlessWednesday post.